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Susan Harris

SUSAN HARRIS is co-president of the Board of the International Association of Art Critics, United States section (AICA-USA). She is an independent scholar and curator. Her most recent project is Managing Editor, Unfinished Memories: 30 Years of Exit Art, Steidl, 2016.

Guest Critic

Recalling the Saints

As serious, trained professionals who care deeply about art and artists, and place a high value on the disciplines of art history and art criticism, we regularly reflect on the role of the art writer/critic—what it is today and what it should be in a rapidly changing art world.

In Conversation

Kiki Smith with Phong Bui and Susan Harris

On the occasion of the traveling retrospective Kiki Smith: A Gathering, 1980–2005, the artist’s first full-scale survey (on view until February 11, 2007), Kiki Smith welcomed Rail publisher Phong Bui and independent curator/writer Susan Harris to her home and studio to discuss her life and work.

RALPH HUMPHREY

Ralph Humphrey’s exhibition at Gary Snyder Gallery illustrated his unique contribution to American abstract painting. In contrast to the metaphysical aspirations of the Abstract Expressionist painters whom he admired when he arrived in New York in the late 1950s, Humphrey’s territory was secular and nonspiritual.

Howardena Pindell: Autobiography

The “Autobiography” series came about after a near fatal crash in which Pindell sustained severe injuries and memory loss. Early works from this series on view at Garth Greenan bear witness to the artist literally and figuratively piecing together fragments of her past.

Susan Harris
on Leon Golub

It is a thrill to see Leon Golub’s in-your-face paintings on the brutalist walls of the Met Breuer. During his lifetime, American painter Leon Golub received little institutional recognition—particularly from museums in the US.

Nancy Spero: Un Coup de Dent

Nancy Spero’s recent exhibition at Galerie Lelong reaffirms the artist’s status as a national treasure.

Ursula von Rydingsvard

Ursula von Rydingsvard’s commanding new sculptures in natural, rough-hewn cedar are captivating in their correspondences to and departures from the awe-inspiring and warmly welcoming works that have defined her thirty-year oeuvre.

Alain Kirili: Who’s Afraid of Verticality?

Entering Alain Kirili’s exhibition, Who’s Afraid of Verticality, is like joining a gathering of benevolent beings in a space that lifts one’s gaze and spirit.

In Conversation

JUDITH STEIN with Susan Harris
Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art

You’ve done a beautiful job, a great service to us all in bringing to light so much valuable information on this quiet visionary, Dick Bellamy, who, by your account, was unintentionally drawn to, and pinpointed artists who went on to speak to and define a whole generation.

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The Brooklyn Rail

DEC 19-JAN 20

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