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This exhibition brings together an eclectic group of photographs made over one and a half centuries. Curators Justine Kurland and Dan Torop, themselves photographers, culled work from public and private collections to form an exacting, distinctive compilation. There are many gems to be found by names familiar, forgotten, and yet to be widely appreciated.
This young artist’s first solo show immerses itself into the aura surrounding G.I. Gurdjieff, a Russian mystic who achieved a cult-like following in Europe in the 1920s.
While growing up in Louisiana, artist Stephen Rhodes was subjected to multiple classroom screenings of a 1962 short film entitled “An Occurrence at Owl Creek Bridge.” According to Rhodes, the film was never contextualized for the students, but repeatedly used as a mindless time filler by lazy teachers.
The artworld is a complex apparatus in which artwork is but a single component. Spaces that show it, dealers that sell it, and critics that gauge and interpret it play as essential a role in establishing success and writing history. This exhibition in many ways is about those systems that are simultaneously ancillary to and crucially embedded in the experience of looking at art.
Hugh Waltons first solo show of his career melded bittersweet humor with personal disclosure in four new high definition videos (all works 2007). In the main gallery space, three of those pieces were shown on flatscreen monitors, mounted to the wall. In preparation for each, the artist froze liquids into single or paired words in blocky letters.
In this striking and introspective show, Dan Fischer continues his ongoing project of meticulously replicating photographs of famous artists in detailed pencil drawings.