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Sigmund Freud famously asked, What does a woman want? Elissa Schappell seeks the answers with her second fiction collection, Blueprints for Building Better Girls.
We the Animals is well-crafted like a great martini, coming in smooth with a potent punch. The semi-autobiographical portrait of three young brothers, raised by tragically young parents in an upstate blue-collar town, emerges in a compact 128 pages.
Unlike most memoirs, Binyavanga Wainainas One Day I Will Write About This Place reads like a poignant fable. Wainaina deeply cares about his odyssey, the journey of a Kenyan boy who, ultimately, becomes an internationally lauded writer. He also wants readers to care about a region of the world most Westerners believe they are familiar with but, sadly, are not.
Baby Geisha, Trinie Daltons latest work of fiction, is closer to a cool bar with well-traveled, wacky patrons youd want to eavesdrop on or chat up over cocktails.
In 420 Characters, Beach has crafted a serious work of fiction, leaving plenty to discuss. Beacha prolific artist and illustrator whose work has appeared in Wired, the New Yorker, and Timeunderstands the power of compact storytelling.
More than eight decades ago, Zora Neale Hurston, the Harlem Renaissance writer, served as an anthropological Matthew Henson, in search of new territories of discovery for authentic African-American stories.
Ayana Mathiss debut novel The Twelve Tribes of Hattie has received a lot of warm and well-deserved attention since its release in the winter of 2012.