Dan Fall
Prose Roundup
By Dan Fall, Renée E. D'Aoust, Mia Eaton, and Matt EverettFour hundred years have passed since Shakespeare plied his quill. In the interim, we have published him, lauded him, Bowdlerized him, edited him, and possibly forgotten who he was. One has the sense that the historical documentation is worn thin with the jittery handling of Ivy League professors. Every generation—every few years—Shakespeare is remade from the same stuff.
TOKENS
By Sharon Mesmer, Dan Fall, and Polly RosenwaikeSeven stories and seven essays comprise Firan’s fourth prose collection in English.
TOKENS
By Dan Fall, Paul Charles Griffin, Rami Shamir, Paul Devlin, and Dan FallTo read the story of Odell Deefus, the simple-minded hero of Torsten Krol’s Callisto, is to contemplate the atrocities of the past eight years: the hysteria of the war on terror, the paranoia of domestic surveillance, and the crimes of Abu Ghraib and Guantánamo Bay. Oh, and did I mention the novel is a comedy?
Tokens
By Dan Fall, Dan Fall, and Renee E. D'AoustTakes us into the heart of political influence on civilian life in Morocco, exploring issues of sexuality, ambition, religion, love, and family.
TOKENS
By Dan Fall, Tatiaana L. Laine, Helena Fitzgerald, and Kenneth SchneyerThe book jacket of A Life on Paper calls Georges-Olivier Châteaureynaud “France’s own Kurt Vonnegut.” But during my brooding, meandering tour through this first English collection of his work, it was not Vonnegut’s glee that Châteaureynaud showed me.
