The Brooklyn Rail

Frottage, Takuhon, and the Gyotaku Methods

In 2019, I was invited to create a workshop at the Noguchi Museum in connection to the exhibition Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. The show demonstrated (and I tried to demonstrate in my class) how printmaking deepens our understanding of objects that surround us, and their function in the environment.