Their art not only raises awareness of our predicament, it helps us to imagine other worlds and possible outcomes, offering opportunities for direct action, reminding us of our broken connection to nature, and at times offering solutions that could potentially be scaled up.
Meg Websters concerns for the natural world have defined her career as an artist. She creates sculptures made of salt, earth, sand, grass, and other natural materials, and large-scale installations that provide an opportunity for interacting with nature and better understanding its processes. During the installation of her current exhibition at the Judd Foundation, she sat down with Julie Reiss to discuss the shifting meaning of her artworks, their dialogue with minimalism, and their timeliness.
In June 2020, Mary Mattingly and More Art launched A Year of Public Water, a collaboration that uses various platforms to inform its audience about the sources of New Yorks water supply.
The Last Stand is an experimental opera in three acts that uses field recordings as libretto and score.
Art offered us a way to rethink how we apply our core competencies as an organization, our science, our science litigation, and advocacy expertise.