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Amanda Millet-Sorsa

Amanda Millet-Sorsa is a contributor to the Brooklyn Rail.

Tamara Gonzales: Horrible Beauty

Tamara Gonzales has spent her life living, experiencing, understanding, and connecting with the indigenous cultures of the Americas, spiritual and ritual practices from India and the Caribbean, and with Magick, as well as undergoing healing journeys facilitated through psychedelic plant medicines, without forgetting her early years professionally decorating cakes while being immersed in counterculture and the punk music circles of the 1970s in New York.

Jorge Galindo & Julian Schnabel: Flower Paintings

For whom are the lush roses found in Jorge Galindo and Julian Schnabel’s recent works at the Vito Schnabel Gallery painted? In this two-person exhibition, their first together, they share this subject and express their mutual love for painting and roses, yet their interpretations are drastically different from one another.

A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art

It’s heartwarming, and a real rarity, to see so many works by an artist in his hometown—and in a whaling museum, which adds context to both Ryder’s life and the seascapes prevalent in his work.

Koho Yamamoto: Under a Dark Moon

At the age of 99, master calligrapher and sumi-e artist Koho Yamamoto is having her first museum show at the Noguchi Museum. Curated by Dakin Hart, 10 paintings are exhibited in an intimate gallery and reflect a humble selection from her life-long practice.

Rosy Keyser & Joseph Montgomery: Wrecked Angle

In their two-person show at Ceysson & Bénétière, the abstractions of Rosy Keyser and Joseph Montgomery take us through an eclectic journey of Constructivism, Abstract Expressionism, Arte Povera, assemblage, and Minimalism into their own personal synthesis of painting and sculpture as frictional yet unified objects.

Stanley Whitney: TwentyTwenty

Stanley Whitney’s recent exhibit of new paintings presents his lifelong exploration of an endless oasis of color.

McArthur Binion: Modern:Ancient:Brown

The paintings in the exhibition bring together Binion’s agility with color, a study that he has deepened for 40 years, as well as minimalism and geometric abstraction.

Myeongsoo Kim and Cy Morgan: Classical Mechanics

Below Grand is a gallery in the Lower East Side with a twist. This space is a closet-sized gallery nested into the storefront of Fortune Line Trading Corporation, a Chinese owned restaurant supply store. We are charmed by the concept, which is quintessentially New York in its spirit and scarcity of space, but also by the pairing of six works by artists Myeongsoo Kim and Cy Morgan and curated by Wangui Maina and Mo Kong.

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The Brooklyn Rail

DEC 21-JAN 22

All Issues