Acclaimed vocalist Cécile McLorin Salvant was raised in Miami as the American-born daughter of a French school principal mother and a Haitian doctor father. Her newest release, For One To Love, is her finest yet. It is an album of twelve songs, five written by Cécile, and seven standards that she is interpreting. The entire band’s performance makes this album phenomenal. The group is made of Aaron Diehl on piano, Paul Sikivie on bass, and Lawrence Leathers on drums.
Gaïa is guitarist Lionel Loueke’s fourth album. Loueke’s albums continue to be remarkablehe is well known for combining African music with deep knowledge of harmony in jazz composition.
In 1969, two young men, in the midst of participating in both political and cultural revolution in Brazil, were sent into exile by their dictatorial government.
With Tinariwen and several other groups, rock has made its way to northeastern Mali/southern Algeria as the beat of Tuareg liberation and yearning, of nomads unhappy about the loss of their beloved homeland Ténéré, which spans parts of the two countries. Their latest album Elwan, which translates to The Elephants (on L.A. label Anti-), is proof that Tinariwen and other Tuareg bands are making some of the best rock being produced today.
Electro-vodou is a new genre of Haitian music that has emerged with a mission to bring traditional Haitian Vodou music to the world's trance dance floors. By melding Vodou rhythmmeant to ask deities resting in trees and in water for guidance, through song and danceto trance, which aims to possess a dancers body through secular music, electro-vodou explodes the possibilities of traditional rhythms and lyrics, which are very intricate and demand dedication to learn.
Ann OAros eponymous 2019 recording is a rare contemporary Maloya album from Réunion that has been introduced to American audiences. It is an album of creole chansons wherein words and vocal melodies and harmonies expand Maloya, the music heard as the albums rhythms.
A new golden age of Haitian classical music is coming soon, as beautiful as the ones before it.
Song after song, Cuban artist Danay Suárez’s album Polvo de la Humedad is a well executed hip hop and reggae album. With her grave rapping voice, soulful singing voice, and nuanced rhythms, she mesmerizes with the sincerity of perfected expression.
Los Pirañas, El Shirota, and Mujeres Podridas are three bold bands making music that is evolving the Spanish language into a luminous heat that could burn, smelt or even vaporize, as Octavio Paz noted about poetesse maudite Alejandra Pizarniks poetry.
The city of São Paulo is a densely populated metropolis and major cultural and financial capital, home to a number of billionaires, major art museums, the largest gay pride parade in the world, an impressive number of universities, a vibrant Afro-Brazilian culture, and Brazil’s most infamous political protests of the 21st century.
Zulu music exists in multitudes: mbaqanga, maskandi, marabi, kwaito, jazz, isicathamiya (choral), etc. Much of Zulu contributions to music shares a shwabada, a Zulu term that means spiritual lineage.
Raúl Monsalve y Los Forajidos is a septet that was founded in Caracas in 2007 and is now based in Paris. Though it is officially dedicated to a deep exploration of traditional Afro-Caribbean and Afro-Venezuelan sounds, its use of afrobeat and jazz are more impressive. In Bichos (2020), the groups third album, the septet collaborates with featured musicians to protest the bichos, which translates as the bugs, that rule the world.