The Brooklyn Rail

OCT 2022

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OCT 2022 Issue
Poetry

four


Oracular



In the waning days
A narrow window


Might lead to
One icy fact


In cahoots with
Rolling thoughts


Tied to a bumper
Given the bloody


Signs of unrest
The poem mentions cold


Mountain of bones
I highlight in green


And drop into a couplet
About assassin’s night









Nadir



Once bitten twice shy
Means the long odds


Are racked and stowed
Like cords of wood


Following edge to rim
A shorthand for injurious


Speech and a shock
Of hair streaked with silver


Some think “me too”
Reaching back for a stray


Wisp or a sliver
Of explanation


That revives a winter
Scene fallen into ruin


One sleeps the other doesn’t
In the first wash of light









Letter



In an effort to blunt
The savage weather
Of his face


You rub the furrows
And grooves until
All that’s left


Is the tight X
Of a mouth the hollow
O in its socket


Tipped off
About pink slips
Already sent


You descend the black
Avenue in a trance
Whose passage means


More when a squall
Sweeps the curb
Suspending in its wake


A heavy curtain
Of sighs









Ka-boom



Little birds’ nest
Wrenched from the eave
Falls to pieces, a coda


Most remember
For its blue note
Hanging in the air


Long after it’s played
All end up in a raft
Of days collected


Like rainwater
Cupped in hands
Until we slouch


Against the rough pad
And flat planes
Of the season


Counting the chain
Of shadows
On city walls

Contributor

Chris Tysh

Poet Chris Tysh’s latest publications are Hotel des Archives: A Trilogy (Station Hill Press, 2018)and Derrida’s In/Voice (BlazeVOX 2020). She holds fellowships from The National Endowment for the Arts and The Kresge Foundation, as well as a Murray Jackson Creative Scholar in the Arts Award from Wayne State University where she teaches writing. She is the poetry editor of Three Fold, an independent arts quarterly.

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The Brooklyn Rail

OCT 2022

All Issues