APRIL 2022

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Publisher's Message

Dear Friends and Readers,
– By Phong Bui

Editor's Message

Radical Poets of Different Feathers
– By Luigi Ballerini

Art

ArtSeen

Bridget Mullen: Quitters
– By William Corwin
Duane Michals: Kaleidoscope
– By Jonathan Goodman
Mia Westerlund Roosen: Aftermath
– By Lilly Wei
Eleen Lin and Tammie Rubin: Mythodical
– By Madison Ford
Yi To: Where the pebble hits the water
– By Nina Wolpow
Richard Hawkins: The Forrest Bess Variations
– By Christian Liclair
Robert Irwin: New Work
– By James Welling
Rose Nestler: too bad for heaven, too good for hell
– By Elizabeth Buhe
Maggi Hambling: Real time
– By Jason Rosenfeld
Adam McEwen: Execute
– By Amanda Gluibizzi
Siobhan Liddell and Linda Matalon: Fragments
– By William Corwin
Elbert Joseph Perez: Just Living the Dream
– By Clare Gemima
Seether: Alexandra Hammond, Jackie Slanley, Virginia L. Montgomery (VLM)
– By Hovey Brock
Frida Orupabo: Closed Up Like a Fist
– By Margarita Lila Rosa
Leonardo Drew
– By Toby Kamps
Vik Muniz: Scraps
– By Lyle Rexer
Dewey Crumpler: Painting Is an Act of Spiritual Aggression
– By Jonathan Goodman
Michael Rado: Show Your Work
– By Charles Schultz
Dwight Cassin: Oronsay
– By S. David
Jordan Belson: Landscapes
– By Alfred Mac Adam
Elaine Reichek: Material Girl
– By Norman L Kleeblatt
Jim Osman: Walnut: Second Series
– By Tom McGlynn
Jarrett Key: from the ground, up
– By Andrew Paul Woolbright
Jacques-Louis David & Charles Ray
– By Jason Rosenfeld
From Forces to Forms
– By William Corwin
Rona Pondick
– By Susan Harris
The Project of Independence
– By Maddie Klett
Simone Fattal: Finding a Way
– By Maximiliane Leuschner
Tadaaki Kuwayama
– By Alfred Mac Adam
Claude Rutault & Peter Nadin
– By Chris Murtha
Jule Korneffel: Here comes the night
– By Andrew L. Shea
Tabboo!: Cityscapes
– By Jonathan Goodman
Mel Bochner: I STILL DON'T GET IT
– By Tom McGlynn
Michael Heizer
– By Robert C. Morgan
George Widener: COUNT DOWN
– By David Rhodes
Yashua Klos: Our Labour
– By Jillian Russo
Leidy Churchman: New You
– By Ksenia Soboleva
Thomas Struth
– By James Welling
Sascha Braunig: Lay Figure
– By Osman Can Yerebakan
Stephanie Dinkins: On Love and Data
– By Marcus Civin
Water, Wind, Breath: Southwest Native Art in Community
– By Jonathan Fineberg
Barnett Newman & Brice Marden
– By Jessica Holmes
Celebrating the City
– By Annabel Keenan
Joe Bradley: Bhoga Marga
– By Charles Schultz
Frédéric Bruly Bouabré: World Unbound
– By David Carrier
Itziar Barrio:THE PERILS OF OBEDIENCE (PREMIERE)
– By Jillian McManemin
Jonathan Baldock: Grave Goods
– By Helena Haimes

Critics Page

from Floodgate of Wind
– By Antonella Anedda Translated from the Italian by Eleonora Buonocore
From Scraps
– By Mariano Bàino Translated from the Italian by Luigi Bonaffini
The Trip
– By Mary Jo Bang
three
– By Charles Bernstein
Mandy
– By Anselm Berrigan
Nest, Hospice, Prison Camp
– By Susan Briante
(°) – seed
– By Maria Grazia Calandrone Translated from the Italian by Nicholas Benson
from Every Five Strokes
– By Vincenzo Frungillo Translated from the Italian by Christina Vani
from Excesses (on a little flight)
– By Marco Giovenale Translated from the Italian by V. Joshua Adams
Romanticism
– By Peter Gizzi
Gap and Erasure
– By John Latta
Dreamlike (Homo Bulla)
– By Laura Liberale Translated from the Italian by Murtha Baca and Federica Santini
Porta Westfalica
– By Valerio Magrelli Translated from the Italian by Jamie McKendrick
from Acavity of an Odyssey (Unfinished Mandala)
– By Ivan Schiavone Translated from the Italian by Alessandro Giammei
three
– By Rosmarie Waldrop