Art In Conversation
Vera Lutter with Jean Dykstra
The German-born artist Vera Lutter is known for her ghostly, immersive camera-obscura photographs made in pinhole cameras that are sometimes the size of small rooms. Rather than printing positive images from a negative, she keeps the tonal values reversed, so that a bright daytime sky is impenetrably black, and solid structures appear to glow.
Art In Conversation
Takesada Matsutani with Charles M. Schultz
On the top floor of Hauser & Wirths Chelsea building Takesada Matsutani and his friend Olivier Renaud-Clément stand beside a massive paper scroll, thirteen meters long, that extends from the ceiling to their feet. It is from the early nineties and is covered in graphite that softly reflects the light coming in the gallery windows.
Art In Conversation
Joan Semmel with Amelia Jones
Joan Semmels work activates what painting can do to produce different ways of seeing, and thus different ways of thinking, that shift the position of certain bodies in the social sphere. I get the conversation started by asking Semmel some questions about her earliest work, her experience as an artist, and her turn to painting, before weaving in more complex questions about the relationship of her work to specific experiences shes had in the world.
Art In Conversation
On Joseph E. Yoakum
This conversation for the Brooklyn Rails New Social Environment series brings together several people connected to the recent exhibition of drawings by the self-taught artist Joseph Yoakum at the Museum of Modern Art. The exhibition represents a landmark in contemporary efforts to bring to a wider public the work of this remarkable American artist.
Russian Invasion of Ukraine: Oral History in Seven Voices
By Nina MdivaniNina Mdivani speaks to those recently displaced by the invasion of Ukraine.
A Tribute to Sylvère Lotringer
Anyone who has met Sylvère knows he held authority. He had clear, bold ideas, thoughts, strongly-held opinions. He had remarkable charisma. Even in his ailing days, over the last few years, any appearance of him kept everyone stillwhether people knew him or knew who he was, or whether they did not. However authority he could manifest, he stood against the very notion of authority: in his theoretical work, he embraced Deleuzes rhizome.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiThis issue is dedicated to the acts of heroism in the face of tremendous adversity by the Ukrainian people and President Volodymyr Zelenskyy. As the Putin regimes invasion of Ukraine escalates, while knowing the current circumstances in the region may drastically change hour by hour, day by day, we send our boundless admiration and unyielding solidarity to our brothers and sisters in Ukraine and the courageous protesters across Russia and the world.
Editor's Message
Hong Kong’s Contemporary Cultural Scene—public protests and beyond
By Paul GladstonFor the best part of the last decade, Hong Kong has been a major focus for the international news media because of continuing public protests there against the authority of Hong Kongs Beijing-backed legislature and, more recently, the imposition by Chinas central government of the so-called National Security Law (NSL) aimed at suppressing political dissent in the region.
Critics Page
-
An Open letter to Hong Kong
– By Wen Yau -
Fragments of
– By Phoebe Wongthe Untimeliness inthe New Hong Kong -
A Few Stories about Art in Hong Kong during 2021
– By Frank Vigneron -
Does Art Point the Way in a Polarized Hong Kong?
– By Enid Tsui -
On Drawing Life
– By Zheng Bo
ArtSeen
-
Airbnb Experience™
– By Dani Issler
as a Work of Art -
Holbein: Capturing Character
– By Maxwell Paparella -
Kathy Ruttenberg: Sunshine at Midnight
– By Mary Ann Caws -
Olafur Eliasson: Your light spectrum and presence
– By Amadour -
Joe Minter: We Lost Our Spears
– By William Corwin -
Antonia Kuo: Mercury and Salt
– By James Welling -
Troy Montes Michie: Dishwater Holds No Images
– By Christian Liclair -
The Morozov Collection: Icons of Modern Art
– By Natalia Gierowska -
Hildigunnur Birgisdóttirs Peace
– By Gregory Volk -
Livien Yin: Ka‑la‑fo‑ne‑a
– By Ekalan Hou -
Marcia Hafif: An Extended Gray Scale
– By Jane McFadden -
Hawkins Bolden: Seated
– By Daniel Fuller -
Edgar Jerins: Monumental Drawings
– By Joyce Beckenstein -
Hans Holbein: Capturing Character
– By Christian Kleinbub -
Karla Knight: Navigator
– By Kathy Battista -
Bronx Calling: The Fifth AIM Biennial
– By William Corwin -
H. R. Giger: HRGNYC
– By Nicholas Heskes -
Paul Fägerskiöld: 2100
– By Jess Chen -
Esther Kläs: Come Again
– By Barbara A. MacAdam -
Roy Dowell
– By D. Dominick Lombardi -
Bill Jensen: Stillness/Flowing
– By Amanda Millet-Sorsa -
Abby Lloyd: Goodbye Dolly
– By Andrew L. Shea -
The African Origin of Civilization
– By David Carrier -
The New Bend
– By Charles Moore -
Judith Braun: My Pleasure
– By Robert R. Shane -
Danica Lundy: Three Hole Punch
– By Andrew Paul Woolbright -
Ruby Sky Stiler: New Patterns
– By Jared Quinton -
Andrea Belag: Under the Pergola
– By William Corwin -
Nuestra Casa: Rediscovering the Treasures of The Hispanic Society Museum & Library
– By David Carrier -
Ocultismo y barro
– By Barbara Calderón -
Faith Ringgold: American People
– By Ann C. Collins -
Luca Buvoli: Astrodoubt and the Quarantine Chronicles (An Introduction)
– By Robert C. Morgan -
Rachel Feinstein: Mirror
– By Toby Kamps -
The Yes Men
– By Cassie Packard -
Andrea McGinty: Clint Eastwood
– By Zach Ritter -
Sahra Motalebi: This Phenomenal Overlay
– By Dina A. Ramadan -
Alina Tenser: A Particular Kind of Embrace
– By Helena Haimes
Table of Contents
Editor's Message
-
Hong Kong’s Contemporary Cultural Scene—public protests and beyond
– By Paul Gladston
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
Vera Lutter with Jean Dykstra
-
Takesada Matsutani with Charles M. Schultz
-
Joan Semmel with Amelia Jones
-
On Joseph E. Yoakum
-
Russian Invasion of Ukraine: Oral History in Seven Voices
– By Nina Mdivani
ArtSeen
-
Airbnb Experience™ as a Work of Art
– By Dani Issler -
Holbein: Capturing Character
– By Maxwell Paparella -
Kathy Ruttenberg: Sunshine at Midnight
– By Mary Ann Caws -
Olafur Eliasson: Your light spectrum and presence
– By Amadour -
Joe Minter: We Lost Our Spears
– By William Corwin -
Antonia Kuo: Mercury and Salt
– By James Welling -
Troy Montes Michie: Dishwater Holds No Images
– By Christian Liclair -
The Morozov Collection: Icons of Modern Art
– By Natalia Gierowska -
Hildigunnur Birgisdóttirs Peace
– By Gregory Volk -
Livien Yin: Ka‑la‑fo‑ne‑a
– By Ekalan Hou -
Marcia Hafif: An Extended Gray Scale
– By Jane McFadden -
Hawkins Bolden: Seated
– By Daniel Fuller -
Edgar Jerins: Monumental Drawings
– By Joyce Beckenstein -
Hans Holbein: Capturing Character
– By Christian Kleinbub -
Karla Knight: Navigator
– By Kathy Battista -
Bronx Calling: The Fifth AIM Biennial
– By William Corwin -
H. R. Giger: HRGNYC
– By Nicholas Heskes -
Paul Fägerskiöld: 2100
– By Jess Chen -
Esther Kläs: Come Again
– By Barbara A. MacAdam -
Roy Dowell
– By D. Dominick Lombardi -
Bill Jensen: Stillness/Flowing
– By Amanda Millet-Sorsa -
Abby Lloyd: Goodbye Dolly
– By Andrew L. Shea -
The African Origin of Civilization
– By David Carrier -
The New Bend
– By Charles Moore -
Judith Braun: My Pleasure
– By Robert R. Shane -
Danica Lundy: Three Hole Punch
– By Andrew Paul Woolbright -
Ruby Sky Stiler: New Patterns
– By Jared Quinton -
Andrea Belag: Under the Pergola
– By William Corwin -
Nuestra Casa: Rediscovering the Treasures of The Hispanic Society Museum & Library
– By David Carrier -
Ocultismo y barro
– By Barbara Calderón -
Faith Ringgold: American People
– By Ann C. Collins -
Luca Buvoli: Astrodoubt and the Quarantine Chronicles (An Introduction)
– By Robert C. Morgan -
Rachel Feinstein: Mirror
– By Toby Kamps -
The Yes Men
– By Cassie Packard -
Andrea McGinty: Clint Eastwood
– By Zach Ritter -
Sahra Motalebi: This Phenomenal Overlay
– By Dina A. Ramadan -
Alina Tenser: A Particular Kind of Embrace
– By Helena Haimes
Critics Page
-
An Open letter to Hong Kong
– By Wen Yau -
Fragments of the Untimeliness in the New Hong Kong
– By Phoebe Wong -
A Few Stories about Art in Hong Kong during 2021
– By Frank Vigneron -
Does Art Point the Way in a Polarized Hong Kong?
– By Enid Tsui -
On Drawing Life
– By Zheng Bo
Books
-
Margaret Atwood’s Burning Questions
– By Yvonne C. Garrett -
Mark Haber with Andrew Ervin
-
Steven Van Zandt with Samuele F.S. Pardini
-
Are the Arts Essential?
– By Mary Ann Caws -
Christopher Prendergast’s Living and Dying with Marcel Proust
– By Mary Ann Caws -
Wolfgang Hilbig’s The Interim
– By Nolan Kelly -
Colette BrookssTrapped in the Present Tense: Meditations on American Memory
– By Rhoda Feng -
Mike DeCapite with Drew Hubner
-
Olga Ravns Employees
– By John Domini -
The Most Dangerous Branch?
– By Harry Feder -
Emme Lunds The Boy with a Bird in His Chest
– By Zach Schwab
Music
-
The Voice of America
– By George Grella -
Wade in the Water
– By Scott Gutterman -
The Future of Classical Music? Contemporary Music? New Music?
– By Petr Kotik -
The Strength, Suppleness, and Beauty of a Body
– By Adolf Alzuphar
Dance
-
Sankofa Danzafro: Accommodating Lie
– By Mariana Fernández -
Ogemdi Ude with Lauren Wingenroth
-
David Gordon with Nancy Dalva
– By Nancy Dalva
Film
-
Pablo Larraín’s Spencer
– By Brianna Di Monda -
Adam McKay’s Don’t Look Up
– By Jerrine Tan -
The Academy Museum
– By Edward Mendez -
Iuli Gerbase’s The Pink Cloud
– By Nolan Kelly
Theater
-
What Are White People So Afraid Of? Claudia Rankine’s Help
– By Alexis Clements -
To Daniel K. Isaac, The Chinese Lady Is About the History of Asians in America
– By Diep Tran
Fiction
-
I, You, He
– by Caio Fernando Abreu, translated from the Portuguese by Bruna Dantas Lobato -
In Judy’s Room
– By Ben Goldstein
Poetry
-
three
– By Sarah Anne Wallen -
eight
– By Tony Iantosca -
four
– By Bianca Stone -
two
– By Kevin Powell -
three
– By Mark Wallace -
five
– By Gregory Corso -
five
– By Yosefa Raz -
two
– By Farid Matuk
Art Books
-
JJJJJerome Elliss The Clearing
– By Erica N. Cardwell -
Andrés Hernándezs we used to move through the city like doves in the wind
– By Maymanah Farhat -
The Wayland Rudd Collection
– By Jonah Goldman Kay -
Eirik Johnsons Road to Nowhere
– By Erin Langner -
Abigail Susiks Surrealist Sabotage and the War on Work
– By Joseph Nechvatal
In Memoriam
ArTonic
-
A.I.R. Gallery
– By Lee Ann Norman
Special Report
-
Railing Opinion
– By Phong Bui
Field Notes
-
Ukraine: The Economic Consequences of the War
– By Michael Roberts -
The Anti-Viral Struggle and the Social Question
– by Charles Reeve, translated from the French by Janet Koenig -
Endgame: Finance and the Close of the Market System
– By Jamie Merchant -
No Ship Will Come to Save Us
– By The Friends of the Classless Society
The Miraculous
-
91. SoHo
– By Raphael Rubinstein -
92. Fort Greene
– By Raphael Rubinstein -
93. 404 East 14th Street
– By Raphael Rubinstein -
94. West 53rd Street
– By Raphael Rubinstein -
95. 24 University Place, A Restaurant in Chinatown
– By Raphael Rubinstein