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Art In Conversation

JEFFREY GIBSON with Nick Bennett

On a recent fall day we spoke for a few hours about Gibson’s incredible and diverse body of work, and in the edited conversation that follows we touch on the deep and shifting influence of one’s identity, and for Gibson, what it means to reimagine the objects and rituals surrounding powwows within Native history, indulging in kitsch and camp as strategies of protection for queer people, and allowing the complications of reality to be present and to confront binary systems.

Art In Conversation

MARTHA ROSLER with Greg Lindquist

In a working life spanning more than fifty years, Martha Rosler has made art that eschews medium-specificity, asks questions, offers propositions, and invites responses. While idea often appears to drive material expression for Rosler, she also considers, beyond a politics of representation, questions of visuality and aesthetics—a likely influence of her early training as a painter.

Art Books In Conversation

MARK DERY with Thyrza Nichols Goodeve

How does a deeply read, supremely pyrotechnic wordsmith, pioneer of cyberculturewho popularized culture jamming and first articulated the notion of Afrofuturism in his conversation with Samuel R. Delany (“Black to the Future” 1993)—scholar of glam rock, author of countless articles on gothic surrealism and natural-history gothic (see: “William Burroughs and Chilopodophobia”), and most trusted guide to zombies and the terror of clowns (see: “Dead Man Walking: What Do Zombies Mean?” 2010)—write a celebrated mainstream biography of the beloved and wildly complex Edward Gorey?

Art In Conversation

AMY SILLMAN with Toby Kamps

In this interview, Amy Sillman discusses her first UK museum exhibition at London’s Camden Arts Centre Amy Sillman: Landline, (on view through January 6, 2019), her response to Trump’s election, and her interests in philosophy and comedy.

Art In Conversation


On the occasion of her third one-person show at Paula Cooper, I took the chance to talk with Tauba Aeurbach about her work and its laterally-cutting through of ideas and forms related to somatic being and its symbolic tissue.

Art In Conversation


The Berlin-based, West German born-and-raised artist Gregor Hildebrandt was in New York for the opening of his show at Perrotin Gallery on the Lower East Side. It’s a disarmingly huge, three-story, former hardware emporium on Orchard Street, where the blaring signage announcing Beckenstein Hardware, remains intact as a reminder of the building’s history, and underscores the persistence of the past in the ultra-modern light-filled interior.

From the Publisher & Artistic Director

Dear Friends and Readers,

As we’ve come to the end of 2018, it’s impossible to ignore what we’ve gone through in the last two years under the Trump administration. Since we’ve had time to digress and reflect upon what has happened to our liberal democracy, I myself was reminded of Harry Frankfurt’s 2005 classic book On Bullshit.

Editor's Message Guest Critic

Artists Extending Their Reach

Proclaiming that artists are the central protagonists of the art world is self-evident: they make the objects and creative phenomena that are the core around which all else revolves. Beyond this fact, though, artists have extended their reach into the future by initiating artist-endowed foundations. In the last few decades, these entities have assumed a strikingly influential place alongside the other platforms of the art world.


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Art Books

Field Notes


The Brooklyn Rail

DEC 18-JAN 19

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