Art In Conversation
WOLFGANG LAIB
with Phong Bui
The clarity of thought and simplicity of execution in the work of Wolfgang Laib never fails to transpire feelings of lightness against life’s awesome gravity.
May-June 1968:
What Happened
By Charles Reeve
After a year, 1967, marked by strong labor conflicts in big factories all over France, the month of May 1968 opened with intense student unrest in Paris and provincial universities: demonstrations, occupations of university buildings, and confrontations with the police.
Art In Conversation
ALLEN RUPPERSBERG with Constance Lewallen
On the occasion of Allen Ruppersberg’s retrospective exhibition, Intellectual Property: 1968 – 2018, Connstance Lewallen and Allen Ruppersberg stopped into the Rail HQ to talk about the evolution of Ruppersberg’s decades-long career, the conceptual through lines that can connect artworks, and how one defines “the periphery.
Art In Conversation
MEL CHIN with Lilly Wei
Mel Chin is a multidisciplinary conceptual artist and activist. In addition to that, his work demonstrates a sense of play and poetry, a kind of quixotic romanticism that, however, does not preclude skepticism.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiI think of my conversation with a new friend Wolfgang Laib, who gave up his medical study to be an artist, with his work as the healing agent. We both found ourselves concurring that suffering is caused by the tremendous emphasis of thinking of ourselves as separate, independent “I”s that need constant feeding to quench the craving.
Editor's Message Guest Critic
Migrating Places, Diasporic Beings, and The Ghost of Our Loss (Collage)
By Octavio ZayaIn recent decades, memory has been assaulted from all sides. The designs and interests of the dominant hegemonic system, along with intercultural transmissions facilitated by knowledge and experience of the ways others remember and preserve their past—and, therefore, the existence of the universal culture of the mass media—represent a challenge to our supposedly differentiated past.
Critics Page
-
Caracas-Havana: The Dirty Word Exile
– By Gabriela Rangel -
A Tale of Crossroads
– By Shoja Azari -
New Notes of a Native Son
– By Michele Robecchi -
Diasporic Memory
– By Hayv Kahraman -
Elements of Peaceful Engagement. Ingredients
– By Marlena Kudlicka -
Wind Advisory (On Crossing Borders)
– By Jose Falconi -
Blurred Alterity
– By Fernando Bryce
ArtSeen
-
JAMES HYDE:
– By Hovey Brock
West -
TERRY WINTERS:
– By William Whitney
Facts & Fictions -
Refiguring The Future
– By Eleanor Heartney -
Art in the Age of the Internet, 1989 to Today
– By Will Fenstermaker -
Ziggy's Reliquaries
– By Mark Dery -
David Bowie Is
– By Sadie Rebecca Starnes -
SEAN SHIM-BOYLE: Jack
– By Swagato Chakravorty -
Harlem Perspectives: Decolonizing the Gaze & Refiguring the Local
– By Nico Wheadon -
GETA BRĂTESCU:
– By Grant Klarich Johnson
The Leaps of Aesop -
DARREN WATERSTON:
– By Alex A. Jones
Ecstatic Landscape -
SUE WILLIAMS
– By Grant Klarich Johnson -
Klimt and Schiele: Drawn
– By Steven Pestana -
Painting After Postmodernism:
– By Tom McGlynn
Belgium-USA-Italy -
DOUG AITKEN:
– By David Carrier
New Era -
ARLENE SHECHET:
– By Phong Bui
Some Truths -
KELTIE FERRIS:
– By David Rhodes
(F(U(T()U)R)E) -
The Worlds of Joaquín Torres-García
– By Benjamin Clifford -
DANIEL RICH:
– By Barbara A. MacAdam
Never Forever -
MARY REID KELLEY and PATRICK KELLEY:
– By Alex A. Jones
We are Ghosts -
Being: New Photography
– By Phillip Griffith -
HANK WILLIS THOMAS:
– By Nico Wheadon
Black Archival Memory & Its Conceits -
JANE CORRIGAN:
– By Alfred Mac Adam
Ma Paw -
GEDI SIBONY:
– By William Corwin
The King and the Corpse -
Visions of Order and Chaos: The Enlightened Eye
– By Steven Pestana -
Visions of Order and Chaos: The Enlightened Eye
– By David Carrier and Graham Shearing -
ADRIAN PIPER:
– By Nico Wheadon
From Passing to Purple -
ADRIAN PIPER:
– By Nicole Miller
A Synthesis of Intuitions, 1965—2016 -
PABLO HELGUERA & SUZANNE LACY:
– By Vijay Masharani
The Schoolhouse and The Bus: Mobility, Pedagogy, and Engagement -
SPENCER FINCH:
– By Hearne Pardee
Me, Myself and I (A Group Show) -
EDUARDO NAVARRO:
– By Osman Can Yerebakan
Into Ourselves -
SADE: Artists Under the Influence
– By Mary Ann Caws -
THEODORE DARST & COLLIN LEITCH:
– By Ida Pruitt
Not Every Place You Fit In Is Where You Belong -
ROBIN WINTERS:
– By Hovey Brock
The Thrum and The Thrall -
MOYRA DAVEY:
– By Jan Avgikos
1943 -
DAVID AUSTEN:
– By Hovey Brock
the stars above the ocean the ocean beneath the stars -
The Sun Teaches Us That History Is Not Everything
– By Vivian Li -
Hours and Places
– By J C -
Stories of Almost Everyone
– By Hannah Sage Kay
Table of Contents
Editor's Message
-
Migrating Places, Diasporic Beings, and The Ghost of Our Loss (Collage)
– By Octavio Zaya
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
WOLFGANG LAIB with Phong Bui
-
ALLEN RUPPERSBERG with Constance Lewallen
-
MEL CHIN with Lilly Wei
-
Forecasting Art and Social Justice*
– By Rehan Ansari
ArtSeen
-
JAMES HYDE: West
– By Hovey Brock -
TERRY WINTERS: Facts & Fictions
– By William Whitney -
Refiguring The Future
– By Eleanor Heartney -
Art in the Age of the Internet, 1989 to Today
– By Will Fenstermaker -
Ziggy's Reliquaries
– By Mark Dery -
David Bowie Is
– By Sadie Rebecca Starnes -
SEAN SHIM-BOYLE: Jack
– By Swagato Chakravorty -
Harlem Perspectives: Decolonizing the Gaze & Refiguring the Local
– By Nico Wheadon -
GETA BRĂTESCU: The Leaps of Aesop
– By Grant Klarich Johnson -
DARREN WATERSTON: Ecstatic Landscape
– By Alex A. Jones -
SUE WILLIAMS
– By Grant Klarich Johnson -
Klimt and Schiele: Drawn
– By Steven Pestana -
Painting After Postmodernism: Belgium-USA-Italy
– By Tom McGlynn -
DOUG AITKEN: New Era
– By David Carrier -
ARLENE SHECHET: Some Truths
– By Phong Bui -
KELTIE FERRIS: (F(U(T()U)R)E)
– By David Rhodes -
The Worlds of Joaquín Torres-García
– By Benjamin Clifford -
DANIEL RICH: Never Forever
– By Barbara A. MacAdam -
MARY REID KELLEY and PATRICK KELLEY: We are Ghosts
– By Alex A. Jones -
Being: New Photography
– By Phillip Griffith -
HANK WILLIS THOMAS: Black Archival Memory & Its Conceits
– By Nico Wheadon -
JANE CORRIGAN: Ma Paw
– By Alfred Mac Adam -
GEDI SIBONY: The King and the Corpse
– By William Corwin -
Visions of Order and Chaos: The Enlightened Eye
– By Steven Pestana -
Visions of Order and Chaos: The Enlightened Eye
– By David Carrier and Graham Shearing -
ADRIAN PIPER: From Passing to Purple
– By Nico Wheadon -
ADRIAN PIPER: A Synthesis of Intuitions, 1965—2016
– By Nicole Miller -
PABLO HELGUERA & SUZANNE LACY: The Schoolhouse and The Bus: Mobility, Pedagogy, and Engagement
– By Vijay Masharani -
SPENCER FINCH: Me, Myself and I (A Group Show)
– By Hearne Pardee -
EDUARDO NAVARRO: Into Ourselves
– By Osman Can Yerebakan -
SADE: Artists Under the Influence
– By Mary Ann Caws -
THEODORE DARST & COLLIN LEITCH: Not Every Place You Fit In Is Where You Belong
– By Ida Pruitt -
ROBIN WINTERS: The Thrum and The Thrall
– By Hovey Brock -
MOYRA DAVEY: 1943
– By Jan Avgikos -
DAVID AUSTEN: the stars above the ocean the ocean beneath the stars
– By Hovey Brock -
The Sun Teaches Us That History Is Not Everything
– By Vivian Li -
Hours and Places
– By J C -
Stories of Almost Everyone
– By Hannah Sage Kay
Critics Page
-
Caracas-Havana: The Dirty Word Exile
– By Gabriela Rangel -
A Tale of Crossroads
– By Shoja Azari -
New Notes of a Native Son
– By Michele Robecchi -
Diasporic Memory
– By Hayv Kahraman -
Elements of Peaceful Engagement. Ingredients
– By Marlena Kudlicka -
Wind Advisory (On Crossing Borders)
– By Jose Falconi -
Blurred Alterity
– By Fernando Bryce
Books
-
Ursula K. Le Guin’s No Time to Spare
– By Yvonne C. Garrett -
Roxane Gay’s Not That Bad: Dispatches from Rape Culture
– By Matt Grant -
Julián Herbert’s Tomb Song
– By Maya Chung -
Meg Wolitzer’s The Female Persuasion
– By Yvonne C. Garrett -
Dorothy Parker with a Ph.D.
– By John Domini -
BRIAN EVENSON with Peter Markus
-
TONY LEUZZI with Pirooz Kalayeh
-
A Suspended G(l)aze: On Errancy & Arrivals in Camp Marmalade
– By Chris Campanioni -
Michelle Reale’s The Indispensable Academic Librarian
– By Yvonne C. Garrett -
Alexander Chee's How to Write an Autobiographical Novel: Essays
– By Matt Grant -
LESLIE JAMISON with Eric Farwell
-
Moveable Feast: DUNCAN HANNAH with Frank Pizzoli
Music
-
Deep in the Groove of History: The Art of Conduction: A Conduction Workbook
– By George Grella -
Savannah Music Festival
– By Martin Longley -
Journey to the South: Makan Ashgvari’s To Trucks
– By Yasi Alipour -
Outtakes
– By Steve Dalachinsky -
Blood Memories: Matana Roberts at the Park Avenue Armory
– By George Grella -
May Selections
– By Brad Cohan
Dance
-
JACK FERVER with Ivan Talijancic
– By Ivan Talijancic -
Bouquets within Reach
– By Mike Stinavage -
Comfort, Humor, and Grace
– By Susan Yung -
Reid & Harriet: A Site for New Approaches to Production Design
– By Caroline Stinger
Film
-
BLAKE WILLIAMS with Phil Coldiron
-
Under the Paving Stones, the Sewers! “For Another ’68” at Cinéma du Réel
– By Celluloid Liberation Front -
The Sacred Wood: Nathaniel Dorsky's Arboretum Cycle
– By Max Goldberg -
The End of the Affair: On Hong Sangsoo’s The Day After
– By Sarah Mankoff
Theater
-
The Rooted Adventure of Target Margin: 1001 Nights in Sunset Park
– By Jim Knable -
The Absurdity of American Acclimation: TRISH HARNETIAUX with Liza Birkinmeier
– By Liza Birkenmeier -
A View from the Wings: My Fair Lady
– By Ginny Mohler
Fiction
-
from The Chronicle
– By Intizar Husain, translated from the Urdu by Matt Reeck -
Accidental Improvements
– By Kimberly King Parsons -
Michael Row the Boat Ashore
– By John Reed -
inSerial: part eighteen Delusions of Being Observed
– By Lewis Warsh -
from The Empty Room
– By Sadia Abbas -
from SHEEP MACHINE
– By Vi Khi Nao -
Gun Control Facts You Didn’t Know You Should Be Mad At!
– By Joshua Daniel -
Highlights from the Life of Raymond Roussel #4: Afrique
– By Tom Motley
Poetry
-
I Thought I Was Seeing Convicts
– By Andrew Levy -
“Husbands Are Deadlier Than Terrorists”
– By Laura Solomon -
four
– By John Godfrey -
AISHA SABATINI SLOAN with Vi Khi Nao
-
four
– By Jared Stanley -
three
– by Susana Thénon, translated from the Spanish by Rebekah Smith
Verbatim
Art Books
-
Zoe Leonard: Survey
– By Brianna Leatherbury -
Nothing Personal
– By Bartolomeo Sala -
Black Out: Silhouettes Then and Now
– By Hannah Stamler -
MADELINE SCHWARTZMAN with Joyce Beckenstein
Field Notes
-
Editor’s Note
– By Paul Mattick -
May-June 1968: What Happened
– By Charles Reeve -
Document 1: WHY SOCIOLOGISTS?
– -
Document 2: A FLASH FIRE OR THE BEGINNING OF A CONFLAGRATION?
– -
Document 3: POWER TO THE WORKERS COUNCILS
– -
Document 4: DEFEND OUR STRIKE
– -
Document 5: UNIONS AND WORKERS
– -
Class Struggle at the Folies Bergères
– By Jorge Valadas -
May Days: What It Was Like
– By Francois Cerutti -
May ’68 was the beginning of something: LAURE BATTIER and CATHERINE MAYEN with Charles Reeve