Table of Contents
Editor's Message
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It's a Great Day When One and One Don't Add Up To Two
– By Jonathan Fineberg
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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LUCAS BLALOCK with Charlie Schultz
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SEAN SCULLY with David Carrier
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LOLA FLASH with Amy Deneson
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STEPHEN SHORE with Tom McGlynn
ArtSeen
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Firmament & Flora Are The New Black
– By Nico Wheadon -
Thomas Cole’s Journey: Atlantic Crossings
– By Jason Rosenfeld -
TANIA BRUGUERA: Untitled (Havana, 2000)
– By Magdalyn Asimakis -
MAGDALENA ABAKANOWICZ: Embodied Forms
– By Jonelle Mannion -
NATHANIEL MELLORS: Progressive Rocks
– By William Corwin -
Tarsila do Amaral: Inventing Modern Art in Brazil
– By Vitoria Hadba Groom -
Quinn Likes Trucks
– By J C -
THOMAS DEMAND
– By Louis Block -
NATE ETHIER: Wilderness
– By Jason Stopa -
Apocalypse, Right Now: Abel Tilahun: Vital Signs
– By William Corwin -
AL TAYLOR: What Are You Looking At?
– By William Whitney -
An Assembly of Gods
– By Hovey Brock -
California Landscapes: Richard Diebenkorn / Wayne Thiebaud
– By Hearne Pardee -
JAYNE COUNTY: Paranoia Paradise
– By Ingrid Dudek -
Transformer: Native Art in Light and Sound
– By Christopher Green -
ROBERT MOSKOWITZ: Window Shades, 1959–62
– By Barbara MacAdam -
peter campus: pause
– By Pac Pobric -
Michael Goldberg End to End: The 1950s & 2000s
– By Alfred Mac Adam -
In Practice: Another Echo
– By Phillip Griffith -
The Sweat of Their Face: Portraying American Workers
– By Andrew Holter -
DEANA LAWSON
– By Jessica Bell Brown -
BARKLEY HENDRICKS: Them Changes
– By Osman Can Yerebakan -
THORNTON DIAL: Mr. Dial’s America
– By Jessica Holmes -
Incision: Feminist in Residence Exhibition
– By Cassandra Neyenesch -
PETER PLAGENS
– By David Rhodes -
LAUREL SPARKS: Geomantria
– By Alfred Mac Adam -
ROBERT RYMAN: Drawings
– By Tom McGlynn -
PETER DOIG
– By William Davie -
The Ghosts of Italy’s ’68
– By Michela Moscufo -
CHRISTOPHER KNOWLES: In a Word
– By Vivian Li -
Some Roads Yet Untraveled in Abstraction
– By John Michael Colón -
The Beautiful Brain: The Drawings of Santiago Ramón y Cajal
– By Taney Roniger -
LEANDRO ERLICH: Seeing and Believing
– By Siwin Lo -
Club 57
– By Meredith Mowder
Critics Page
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CHRISTO with Jonathan Fineberg
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They Say it is Heaven
– By Cynthia Oliver -
Visionary Creative Interchange—An Unusual Collaboration
– By David Yager -
The Present and The Box
– By Enrique Martinez Celaya -
Inspiration and Obsession
– By Josef Helfenstein -
On Creativity
– By Agnes Gund -
Bees, Ants, Spiders, and a Side of Bacon
– By May R. Berenbaum -
Collective Creativity: A Few Thoughts on Filmmaking
– By Rob Cohen -
The Roots of Creativity
– By Semir Zeki -
Institutional Creativity and the Enlightened Critic
– By James B. Milliken
Books
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Teju Cole’s Blind Spot
– By Leah Gallant -
Poignant Repairs: JOHN FREEMAN GILL with Hilary Reyl
– By Hilary Reyl -
John Freeman Gill’s The Gargoyle Hunters
– By Matt Grant -
Morgan Jerkins’s This Will Be My Undoing
– By Deena ElGenaidi -
Dude, What’s My Age Again? Cheston Knapp’s Up Up, Down Down: Essays
– By David Varno -
State Your Name for the Record: NATALIE SINGER with Christine Sang
– By Christine Sang -
Leni Zumas’s Red Clocks
– By Matt Grant
Music
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Tinariwen: Elwan
– By Adolf Alzuphar -
Fake Music For Fake Times
– By George Grella -
Playlist for Prefab Houses: YouTube and the Revitalization of Japanese Ambient Music
– By Sadie Rebecca Starnes -
Outtakes
– By Steve Dalachinsky -
March Listings
– By Brad Cohan -
Out of Time
– By George Grella
Dance
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Uncanny Worlds in Familiar Spaces
– By Sariel Frankfurter -
An Unusual Evening of Baroque Opera and Kuchipudi Flavors
– By Susanna Sloat -
Suspended Animation
– By Susan Yung -
The Making Room: A dance performance with required reading
– By Jen George -
GESEL MASON with Megan Pugh
– By Megan Pugh
Film
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PEDRO PINHO with Jesse Cumming
– By Jesse Cumming -
“The Primary Event was the Performance”: Anthony McCall’s Play with Light
– By Swagato Chakravorty -
FEMEXFILMARCHIVE with Benjamin Schultz-Figueroa
– By Benjamin Schultz-Figueroa -
A Methodone Film: On Ashley McKenzie’s Werewolf
– By Jessica Dunn Rovinelli -
Looking Again, Slowly: On Hong Sangsoo’s Claire’s Camera
– By Peter Kim
Theater
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Wholehearted: Suli Holum and Deborah Stein
– By Aaron Landsman -
A Brave New World, at Your Doorstep
– By Jim Knable
Fiction
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Witch!
– By Faleeha Hassan, translated by William M. Hutchins -
Our Neighbors
– By Faleeha Hassan, translated from the Arabic by William M. Hutchins -
Disfigurements
– By Kim-Anh Schreiber -
Roll of the Dice
– By Aniqa Naz, translated from Urdu by Daisy Rockwell -
inSerial: part sixteen Delusions of Being Observed
– By Lewis Warsh -
Highlights from the Life of Raymond Roussel #2: Doublure
– By Tom Motley -
The Black Market
– By Joshua Daniel
Poetry
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five
– By Sam Lohmann -
four
– By Steven Alvarez -
six
– By Kyle Schlesinger -
The New Goldfish
– By Spencer Everett -
seven
– By Raphael Rubinstein -
two
– By Patricia Spears Jones -
two
– By Jean Day
Verbatim
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Milton Resnick: Wielding the Club
– By Geoffrey Dorfman
Art Books
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Stephan Keppel's Flat Finish
– By Adam Bell -
Tisa Bryant, Miranda Mellis, and Katie Aymar's The Encyclopedia Project, Volume III L-Z
– By Eli Hill -
Mirtha Dermisache's Selected Writings and Renee Gladman's Prose Architectures
– By Megan N. Liberty -
Eyal Weizman's Forensic Architecture: Violence at the Threshold of Detectability
– By Andreas Petrossiants
Field Notes
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Visions of Resilience: New York City’s Infrastructural Response to Climate Change
– By Max Moorhead -
Second Chances in the Era of the Jobless Future
– By Zhandarka Kurti -
“Despite it All!”
– By Paul Mattick -
Don't Mourn, Organize! Is Communism a Pipe Dream—or a Viable Future?
– By Gabriel Kuhn -
A New Man Is No Good on Earth: The Great Cowboy Strike
– By Adam Theron-Lee Rensch
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