Table of Contents
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
BETTINA POUSTTCHI with Barry Schwabsky
-
B. WURTZ with Sara Roffino
-
JOANNE GREENBAUM with Phong Bui
-
DIANE ARBUS: THE FIRST CHAPTER JEFF ROSENHEIM with Michèle Gerber Klein
ArtSeen
-
MATT KLEBERG
– By Jonathan Goodman -
MOYRA DAVEY: 7 Albums
– By Thea Ballard -
Anna Mikhailovskaia and John Schacht
– By Diana McClure -
Painting as Modeling
– By Tom McGlynn -
Louisa Matthíasdóttir/Hildur Ásgeirsdóttir Jonsson
– By Hovey Brock -
Joe Zucker: Armada
– By Harrison Tenzer -
CARMEN HERRERA
– By David Rhodes -
Marcia Hafif: The Art of Distillation The Italian Paintings, 1961 – 1969
– By Joan Waltemath -
SHIMON ATTIE Facts on the Ground
– By Yasi Alipour -
KATE TEALE I Am Not Empty, I Am Open
– By Taney Roniger -
Gods and Mortals at Olympus: Ancient Dion, City of Zeus
– By Jason Rosenfeld -
MONA HATOUM
– By William Corwin -
DAVID REED / THORNTON WILLIS
– By David Carrier -
DAVID HAMMONS Five Decades
– By Alexandra Fowle -
LUKAS DUWENHÖGGER Undoolay
– By Terence Trouillot -
Future Fossil, Other Vessel
– By ANTHONY HAWLEY -
CAROL SZYMANSKI A Distance As Close As It Can Be
– By Jonathan Goodman -
RODNEY MCMILLIAN Views of Main Street
– By Michelle Standley -
ADRIANA VAREJÃO Kindred Spirits
– By Sara Christoph -
Reflections on Philip Guston PHILIP GUSTON Painter, 1957 – 1967
– By Kate Liebman -
Reflections on Philip Guston The Generous Law: Philip Guston’s Wobble
– By Tom McGlynn -
Reflections on Philip Guston Philip Guston: Burning the Midnight Oil
– By Nora Griffin -
Reflections on Philip Guston Verbal Equivalents (For Philip Guston)
– By Greg Lindquist -
RICHARD SERRA Grace Under Pressure
– By Phong Bui -
JEAN DUBUFFET Anticultural Positions
– By Phong Bui
Books
-
Dark Atrocities: DAVID WINNER with Tyler Gore
– By Tyler Gore -
In the Interstices and the Lacunae
– By Katharina Smundak -
One-State Dissolution
– By Joshua Alvarez -
Natural-Born Storytellers
– By John Domini -
Worry and the Mordant Wallow
– By J. C. Hallman -
POST-LUNCH POEMS JOE PAN with ANSELM BERRIGAN
-
PLAYERS: JOHN MCCAFFREY with Jill Dearman
Music
-
Brooklyn Rail Highly Selective Music Events
– -
The Player Piano
– By Ryan Meehan -
THE RESIDENTS The World’s Most Mysterious Band Steps Out of the Shadows
– By Kurt Gottschalk -
Devastating Blues, Laugh-Out-Loud Funny
– By Dylan Angell -
Outtakes
– By Steve Dalachinsky
Dance
-
JEROBOAM BOZEMAN with Erica Getto
-
Mark Morris Up Close
– By Susan Yung
Film
-
NO ESCAPING THAT Cheryl Donegan Takes the High Line
– By Joe Bucciero -
WHAT DO YOU KNOW ABOUT IT? Anna Rose Holmer’s The Fits
– By Brittany Stigler -
LAND OF LIBERTY Roberto Minervini’s The Other Side
– By Erica Peplin -
IDEAS AS IMAGES Thom Andersen’s The Thoughts That Once We Had
– By Joseph Pomp
Theater
-
SHIFTING PERSPECTIVES Stage Designer Mimi Lien
– By Marcina Zaccaria -
6 Translations, 4 Acts, and 11 Vanyas New Saloon’s Minor Character
– By Ariel Stess -
America: A Performance in Five Miltons
– By Ben Gassman
Fiction
-
Transitions to the Up-Tempo Second Section, Called Tombohoneng (“Remedy for Yearning”)
– By Jesse Kohn -
from Games and Stunts
– By Albert Mobilio -
Futures in Child Rearing
– by Jen George, from her debut story collection, The Babysitter at Rest, forthcoming this October from Dorothy, a publishing project -
from Kid Coole
– By M. G. Stephens -
Tragic Strip
– By Tom Motley
Poetry
-
A$$-ETS
– By Georgia Faust -
Six
– By Ann Stephenson -
Three
– By Guillermo Filice Castro -
Two
– By Alex Dimitrov -
Dodge-Verse-ity, New Jersey: The Festival at the Heart of the Foundations A Yelp Poem
– by Margie Plymouth and Homar Hudson
Verbatim
Art Books
-
Nato Thompson, Seeing Power: Art and Activism in the 21st Century
– By Holly Gavin -
Chris Killip
– By Adam Bell -
JOHN E. SCOFIELD with Laila Pedro
Field Notes
-
EDITOR'S NOTE The Withering of the State
– By Paul Mattick -
THE LAST CUT WAS THE DEEPEST: Cuomo’s Gamble and CUNY’s Full-Throated Retort
– By Samuel Feldblum -
Nuit Debout: The Longest Month
– by Ferdinand Cazalis, with the assistance of Emilien Bernard, and a crowd of nights who will recognize themselves
ADVERTISEMENTS
