Critics Page
Inside Man
Daily Log 20061
March 1
New computer, new log, new world
4
Samuel Beckett, Fizzles
Raffi Kalendarian at Black Dragon Society
Chris Lipomi, Makawana Omawaki at Daniel Hug
5
David Cronenberg, Videodrome
Death to Videodrome;
Long live the new flesh!
9
Amanda Ross-Ho, Infinity’s Limited Engagement at USC
10
USC School of Fine Arts becomes USC Roski School of Fine Arts
11
Allen Ruppersburg at Margo Leavin
Anish Kapoor at Regen Projects
Group show (Tue Greenfort, Felix Schramm, etc.) at Anna Helwing
Anthony Goicolea at Sandroni Rey
Friedrich Kunath at Blum and Poe
Jon-Paul Villegas at Lizabeth Oliveria
Hitchcock, Rear Window
Hitchcock, The Birds
12
Hitchcock, Vertigo
17
Physical
The Aristocrats
18
A Play on Action at Rosamund Felsen with Cory, Tamara, etc.
19
Lita Albuquerque, AOR at Weisman Museum, Pepperdine
20
Scion TC
23
Jenny Phelps at USC
24
Jason Meadows at Marc Foxx
Faris McReynolds at Roberts & Tilton
Martin Kersels at ACME
Ann Veronica Janssen at 1301 PE
Jeff Whetstone at Karyn Lovegrove
Adam Janes at Solo Projects
Henry Taylor at sister
Group show at rental gallery with Alice Könitz, Rubi Neri, Patrick Nickell, Tyler Vlahovich, etc.
Francesco Rivera at Happy Lion
Alexandre Arrechea at Mary Goldman
Yoshihiro Suro at Chung King Projects
Bart Exposito, Roger Herman, Hubert Schmalix at Daniel Hug
Markus Amm, Aaron Curry, Jay Heikes, Adam McEwen, Alan Michael, Giles Round at David Kordansky
25
Nathan Mabry at Cherry and Martin
Ruth Weisberg at Jack Rutberg
Sasha Freedman, A through K, at the Rialto
26
Studio visit with Candace Nycz
Lunch with Bruce
Eric Wesley at MOCA PDC (and walkthrough with Connie Butler, Eric Wesley)
29
Glenn Branca, Hallucination City at Disney Concert Hall
30
California Biennial Lunch at Michael’s
Ry Rocklen opening at USC
31
Studio visits with Patrick Jackson (“Do No Harm”), Jason Starr, Ry Rocklen, Greg Wilken
Coco Fusco at MC
Daniel J. Martinez at LAXART
Rowena Dring at Q.E.D.
Franco Mondini-Ruiz at Lightbox
Group show at Walter Maciel
Spike Lee, Inside Man
- Lately I find myself talking to a lot of people about how different things were in Los Angeles—and its art world—ten years ago. For roughly the past ten years, which is also roughly the time I’ve been working as a critic, I’ve been keeping a daily log of every show I see. In fact, it was started with that purpose: to keep track of the seemingly vast amount of art I was looking at, IRL. The earliest log I can locate begins in March of 2006, coinciding with the purchase of a new laptop. Over the past decade, I’ve started to add a lot more to the log, but it started with exhibitions, studio visits, films, things I was reading, and the occasional lunch meeting or fancy art dinner. In a transgression of my usual privacy regarding this daily log, I thought it might be revealing to see what the world (well, my world) looked like ten years ago. So, this is one month from 2006, without editing. A few artist names are no longer familiar. Many of the galleries I frequented have disappeared; the galleries are in (mostly) different neighborhoods. There weren’t as many galleries then, and I could usually get to most of them. Now there are twice as many, spread out all over the city, and I can only see a fraction of what I used to see. (Ten years ago, I was also working at USC. My, how things have changed there!) In 2006, there were days I didn’t account for. That’s changed too, for better or worse.
Contributor
Michael Ned HolteMICHAEL NED HOLTE is a writer, independent curator, and co-director of the Program in Art at the California Institute of the Arts. He is organizing the exhibition “Routine Pleasures,” which will open at the MAK Center for Art and Architecture at the Schindler House in May 2016.
RECOMMENDED ARTICLES
seven
By LaTasha N. Nevada DiggsMAY 2023 | Poetry
A writer and sound artist, LaTasha N. Nevada Diggs is the author of Village (Coffee House Press 2023) and TwERK (Belladonna, 2013). Diggs has presented and performed at California Institute of the Arts, El Museo del Barrio, The Museum of Modern Art, and Walker Art Center and at festivals including: Explore the North Festival, Leeuwarden, Netherlands; Hekayeh Festival, Abu Dhabi; International Poetry Festival of Copenhagen; Ocean Space, Venice; International Poetry Festival of Romania; Question of Will, Slovakia; Poesiefestival, Berlin; and the 2015 Venice Biennale. As an independent curator, artistic director, and producer, Diggs has presented events for BAMCafé, Black Rock Coalition, El Museo del Barrio, La Casita, Lincoln Center Out of Doors, and the David Rubenstein Atrium. Diggs has received a 2020 C.D. Wright Award for Poetry from the Foundation of Contemporary Art, a 2016 Whiting Award and a 2015 National Endowment for the Arts Literature Fellowship, as well as grants and fellowships from the Howard Foundation, Cave Canem, Creative Capital, New York Foundation for the Arts, and the U.S.-Japan Friendship Commission, among others. She teaches at Brooklyn and Barnard College.

Michael Ross: Time Repair
By Rodrigo QuinteroJUNE 2023 | ArtSeen
The gallery assistant at Galería Mascota in Mexico City's Roma Norte is perhaps unimpressed with the disheveled visitor who arrives late in the morning on a Saturday. I dont think twice. I ask about the artist. Michael Ross is an American artist who has been working in small scale art pieces for over thirty years, says the assistant, these are his latest pieces.
Mark Pawlak with Michael Basinski
APRIL 2022 | Poetry
Michael Basinski is an American text, visual, and sound poet. He was curator of the Poetry Collection of the University Libraries, SUNY Buffalo. He performs as a solo poet and with the sound ensemble Buffluxus. His latest book is The Blob available from Pinsapo Press.
Michael Madrigali: Big City Nights
By Barbarita PolsterMAY 2023 | ArtSeen
The human body only serves as a logical tool for measurement until it catches sight of itself. By toying with scale within his works, Michael Madrigali pokes holes in familiar strategies of measurement and organization, from the urban landscape to the personal archive, topiaries to semaphores, thus animating his paintings and sculptures with a peculiar self-awareness that never quite gives way to nihilism.