Fiction
The Adventures of Time Traveling Omelette
Contributor
Andrea TsurumiAndrea Tsurumi is an illustrator and cartoonist who likes (in no particular order) history, absurdity, dogs and monsters. Her work has appeared in The Nib, The Rumpus and is forthcoming in The Graphic Canon of Children's Literature. You can see more of it at: andreatsurumi.com
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I had just returned to New York from a month traveling in India, where I had enjoyed rediscovering, among other things, the power of narration in visual arts (in the carvings in Hindu temples, in miniature paintings, etc.) and of a mythology and conception of time outside the Newtonian one. This was a couple of weeks before Covid-19 arrived in the US and I was working on one of the 180 ideas/projects that comprise Space Doubt, a work conceived as a ten-year “expedition” started thanks to a collaboration that I developed with NASA scientists and the Smithsonian National Air and Space Museum, Washington, D.C., exploring an idea enabling me to find the courage to use some dark humor about my aggressive and advanced cancer of a few years ago—luckily and hopefully cured—and cancer in general.
Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing
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Center for Book Arts
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Wandering around the flower district of Manhattan, you may be surprised to see a green flag hanging high above the flowers, signaling the location of the Center for Book Arts (CBA) on the third floor, where it has been located since 1999. As artist and designer Ben Denzer recently wrote to me, “Despite coming and going to CBA all the time, I can never really get over how much of an unexpected gem it is. The fact that this book utopia is hiding on the third floor of a random building on 27th street has always made me look at all NYC buildings as if each might contain delightful secrets inside.”
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Just as you’re about to step into Walter De Maria: Boxes for Meaningless Work, you might notice a short, high-pitched sound underlying the other noises that occupy museum galleries. It’s the chirping of crickets, and because it emanates from a speaker hung near the ceiling, it seems to envelop the vestibule, both placeable and unlocatable.
