Fiction
The Adventures of Time Traveling Omelette
Contributor
Andrea TsurumiAndrea Tsurumi is an illustrator and cartoonist who likes (in no particular order) history, absurdity, dogs and monsters. Her work has appeared in The Nib, The Rumpus and is forthcoming in The Graphic Canon of Children's Literature. You can see more of it at: andreatsurumi.com
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Out of (This) Time — Brief Notes from “Astrodoubt and the Quarantine Chronicles”
By Luca BuvoliSEPT 2021 | Critics Page
I had just returned to New York from a month traveling in India, where I had enjoyed rediscovering, among other things, the power of narration in visual arts (in the carvings in Hindu temples, in miniature paintings, etc.) and of a mythology and conception of time outside the Newtonian one. This was a couple of weeks before Covid-19 arrived in the US and I was working on one of the 180 ideas/projects that comprise Space Doubt, a work conceived as a ten-year “expedition” started thanks to a collaboration that I developed with NASA scientists and the Smithsonian National Air and Space Museum, Washington, D.C., exploring an idea enabling me to find the courage to use some dark humor about my aggressive and advanced cancer of a few years ago—luckily and hopefully cured—and cancer in general.
Angel Otero: Swimming Where Time Was
By Andrew Paul WoolbrightNOV 2022 | ArtSeen
There may be no better example of a product of Chicago’s transgression, specifically the ethos of the School of the Art Institute of Chicago (SAIC), than Angel Otero.
Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing
By Leah GallantAPRIL 2022 | Art Books
The organization aims to restructure art publishing to fairly compensate all contributors, rather than one in which artists pay exorbitant costs to publish their work. These publishing projects function like an archive of the Chicago arts during the six years the press was active. Ranging from poetry chapbooks to photo portfolios, the more than editions produced also include the monographs accompanying major museum exhibitions.
Glitching Time and Time-Based Media
By Charlotte KentOCT 2022 | Art and Technology
Time is a socio-technological system with profound organizing qualities that feels, these days, exceedingly oppressive. There’s never enough time! For anything. Calendars are the earliest containing device with the purpose of determining a social order; the history of the Roman calendar reveals the role of international and national politics that play out across each new temporal infrastructure. Our temporal orders have been designed through the global proclamation of Greenwich Mean Time in 1884 by colonial empires, the apocalyptic anxiety provocations of the doomsday clock established in 1947, the insistent instant-ness of digital time since the 1970s exacerbated by strings of video chat meetings of the last couple years, and the frenetic branding of our social/professional lives demanded by transnational corporate technology’s mediation of everyone and everything, all the time. It’s a mess.
