Film
ONE IMAGE DOESNT TAKE THE PLACE OF THE PREVIOUS ONE
Harun Farockis Images of War (at a Distance) at MoMA
By Leo Goldsmith and Rachael Rakes
The centerpiece of Harun Farockis Images of War (at a Distance), on view at the Museum of Modern Art through January 2, 2012, is a four-screen installation entitled Serious Games I-IV (2009-10) that documents the use of video game technology in the imaging and imagining of war.
Eye Washes: ROBERT BREER, 19262011
By Tom McCormackA fixture of the New American Cinema, experimental animator Rober Breer pioneered a form of cinematic collage that used single-frame editing and omnium-gatherums of chaotic imagery to shape the quotidian into whirligig treatises on the nature of perception.
WE ARE ALL SCABS: Some Contradictions in U.S. Independent Film Culture
By Donal ForemanAttending the five-day Filmmaker Conference at this years Independent Film Week, organized by the Independent Film Project and held at Lincoln Center, I was reminded of the synopsis for an Abel Ferrara film that has yet to be made. Its a film that playfully pivots on the mythologies and contradictions of the American independent filmmaker.