Poetry
from, I thought you said it was sound

Contributor
Stephanie GrayPoet-filmmaker STEPHANIE GRAY is the author of five collections of poetry including Shorthand and Electric Language Stars (Portable Press at Yo-Yo Labs, 2015) and A Country Road Going Back in Your Direction (Argos Books, 2015). A current LMCC resident in writing, she had a retrospective of her films at Anthology Film Archives in 2015.
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Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing
By Leah GallantAPRIL 2022 | Art Books
The organization aims to restructure art publishing to fairly compensate all contributors, rather than one in which artists pay exorbitant costs to publish their work. These publishing projects function like an archive of the Chicago arts during the six years the press was active. Ranging from poetry chapbooks to photo portfolios, the more than editions produced also include the monographs accompanying major museum exhibitions.

Remaking the Exceptional: Tea, Torture, & Reparations | Chicago to Guantánamo
By Luke A. FidlerMAY 2022 | ArtSeen
If exhibitions of incarcerated artists can range from the voyeuristic to the merely evidentiary (look, here’s art made under duress; aren’t the artists resourceful and isn’t it shocking that they, too, are human?), Remaking the Exceptional is neither.
The Sound of Morning
By Kathy NobleOCT 2021 | Critics Page
Kevin Beasleys The Sound of Morning combines every aspect of his work to datesculpture, sound, performance, and site specificityin one totality. Staged at the crossroads of two Manhattan streets on the Lower East Side, Beasley plays the sounds of movement, object, and siteinserting sculptures made using everyday and industrial materials and objects, and performersby using contact mics to magnify the faint noises that usually disappear into the white noise of Manhattan, creating a sonic sculpture.
Stephanie Dinkins: On Love and Data
By Marcus CivinAPRIL 2022 | ArtSeen
For Dinkins, one of the main problems with AI is the existing data it uses.