John Tursi: New Works

By Andrew Paul Woolbright

APRIL 2023 | ArtSeen

In John Tursi's New Works at Ricco/Maresca, the artist cultivates a sense of movement and psychedelic animation through dense repetition. Simple shapes are plaited into larger patterns that Tursi combines into machinic bodies. Each figure evokes pulsating Broadyway Boogie-Woogies of movement, that systematize the body into reeling conveyor belts of synapse.

Leiko Ikemura: Anima Alma - Works 1981–2022

By Jonathan Goodman

DEC 22–JAN 23 | ArtSeen

Born in Japan, Leiko Ikemura left for Spain to study language and art before moving to Switzerland and eventually to Germany, where she currently works. An artist of subtle feminist assertion, Ikemura has chosen in most paintings to represent women and in some instances children. Ikemura is well known in Europe and has shown extensively there, but this is her first exhibition in America. Her painting style tends to be diffuse and sensuous, in a manner not so distant from the art of someone like Marlene Dumas. Her training directed her toward a compelling mixture of figuration bordering on abstraction, even when she is rendering people.

The Ten Best Art Books of 2022

DEC 22–JAN 23 | Art Books

This month, our editors and writers have reflected on their favorite art books of 2022: artist's writings, photobooks, monographs, and exhibition catalogues featuring work by Alison Knowles, Shala Miller, Robert Motherwell, and others.

Cora Cohen: Works from the 1980’s

By Alfred Mac Adam

OCT 2022 | ArtSeen

Cora Cohen: Works from the 1980’s is a time capsule, and like all time capsules it is an enigma. Time capsules are supposed to provide people of the future a sample of things typical of the moment when they are buried. Which raises the critical issue of perspective: are we to understand these eight glorious pieces according to what we think they meant thirty-five years ago, or should we understand them according to what they say to us today? Even if we lived through them, the 1980s are as irrecoverable as the 1880s: an abyss separates us from that decade even if human time—memory—may trick us into thinking we actually know that remote moment perfectly.