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Long recognized as one of the leading figures of New Taiwan Cinema, Hou Hsiao-Hsien has been revered as the most important living filmmaker, accused of formalist tedium, and critiqued in his native Taiwan for his controversial observational approach to national history
With only four films, Lee Chang Dong has proved himself on the vanguard of the most powerful works in contemporary Korean cinema. Alongside the shocking sublimity of director Kim Ki Duk (The Isle) or the extremely violent meditations on vengeance of Park Chan Wook (Old Boy), standing out would seem no easy feat.
Happily, in the 60s, during Godards incomprehensibly creative ferment, during his pre-Maoist, pre-Im-going-to-stand-in-a-French-corner-and-hold-my-breath-until-the-revolution-comes-or-I-turn-blue phase, Godard had damn few of them. Bad ideas, I mean. And if the relentless modernity of his pictures might argue that JLG thought too much and felt not enough, his characters usually suffer the opposite dilemma.
And then, because this joke isnt so funny, if I were director Nicholas Stoller, I would insert a picture of me with my pants down, penis blazin. And then Id have Judd Apatow sign his name on the picture of my penis. And then...well, you get the idea: Forgetting Sarah Marshall, the newest Judd Apatow Production (Superbad, Knocked Up, The 40-Year Old Virgin), sorta rocks balls.
John Hurwitzs and Hayden Scholssbergs Harold and Kumar: Escape from Guantanamo Bay is possibly the most anticipated sequel in yearsat least for those who love that sweet, sweet cheebah.
Ozu, who was a teacher before becoming a director, understood the purity of children through their carefree nature. That they are free of the (often unnecessary) complications of the adult world exonerates them from the seemingly selfish trappings of their uninhibited willfulness.
Like this Chinese proverb, The Dragon Painter centers on the painting and unpainting of a dragon. Produced by, and starring, the Japanese-born actor Sessue Hayakawa, the film transplants an oriental tale onto the western screen, with a twist.
Blasts key redeeming feature, a shockingly bleak even for noir view of life and fate, emerges not from the plot, but instead from the non-stop voice-over narration of gravel-voiced character actor Lionel Stander.