Public Images

By Bartolomeo Sala

JUNE 2020 | ArtSeen

Public Images, a virtual exhibition now on view on the website of New York gallery Carriage Trade, a space that often interrogates big social and political issues, bursts precisely this “frictionless” conception of city-dwelling, exposing it as the ultimate illusion.

Colored People Time: Quotidian Pasts

By Devin Malone

JUL-AUG 2019 | ArtSeen

A group of white sculptures sit atop glistening aluminum pedestals. To the right, two TV screens flash images of dancers, ritual objects, and footage from a post-war game show. An adjacent wall has been painted green to mimic the palette of a natural history museum and bears a single photograph.

Kent Monkman: mistikôsiwak (Wooden Boat People)

By Ann C. Collins

FEB 2020 | ArtSeen

It may be that history, as Winston Churchill said, is written by the victors, but a deep satisfaction can be had for those who redraft it. Cree artist Kent Monkman does just that for the Metropolitan Museum of Art’s inaugural Great Hall Commission. Monkman reverses the European gaze, presenting Indigenous people as heroes who welcome and rescue invading newcomers.

Tragic Strip

By Tom Motley

MAY 2019 | Fiction

Tom Motley is a cartoonist, illustrator, and educator. His publications include Tragic Strip (a monthly strip in the Brooklyn Rail), The Golden Ass, The One Marvelous Thing, and contributions to the indie anthology Cartozia Tales. He teaches cartooning at the School of Visual Arts and illustration at Pratt.