The 83rd, Figure of Noise

By S. David

OCT 2020 | Music

While perhaps telling, The 83rd's coded use of “culture” is just as instructive as his near-militant posture of independence. As the founder of the multi-pronged media organization Sermon 3 Recordings, through which he self-releases his music via Bandcamp, The 83rd’s sui generis trajectory seeks the kind of valanced heat that the real and art worlds seem to so rarely offer to self-styled enfants terrible.

Haim Steinbach: 1991 – 1993

By Katherine Siboni

FEB 2021 | ArtSeen

Steinbach’s objects, in their adjacencies and juxtapositions, behave like linguistic signs. Their meanings are both inherent and contingent, organized along the structural grammar of figure and ground constituted by his shelf supports. Presented in succession, each item yields new axes for comparison.

Samara Golden: Upstairs at Steve’s

By Elizabeth Buhe

FEB 2021 | ArtSeen

Unlike those in which we find the Rückenfigur, that singular figure of the romantic sublime, Golden’s vast landscape is not a verdant expanse unperturbed by human hands but something like its opposite: the apparent site of both personal and natural disaster. Yet evacuated of human presence, the narratives suggested here remain open to our imagination.

Sons of the Nation

By María Iñigo Clavo

FEB 2021 | Critics Page

We can think of the nation as akin to a narcissistic father figure that hopes to see his image, feats and aspirations reflected in the citizens