Seurats SecretBy Sanford Schwartz
One of the many extraordinary aspects of Seurats conté crayon drawings is that they make us newly appreciate the word atmospheric.
Alex McQuilkin: Joan of ArcBy Thomas Micchelli
This assessment, corrosive as it is, doesnt even take into account the sheer magnificence of the film that McQuilkin has spliced, scrambled and paired with color footage of her own face staring silently into the camera.
Land GrabBy Shane McAdams
Curated by Sarah Lookofsky and Lillian Fellman, Land Grab at Apex Art looks at how contemporary artists are responding to issues of land use as it becomes more scarce and expensive.
High Times for Lawrence WeinerBy Jeremy Sigler
I first came upon Lawrence Weiners striking, sans-serif text-pieces when I wandered into his Displacement project at the old West 22nd Street Dia building in 1992.
The Geometry of HopeBy Geoffrey Cruickshank-Hagenbuckle
There is a spidered but unbroken vein feeding cannibals (Yes, I said that) into Concrete Art, snaking through the 20th century from the deepest reaches of the Amazon River in Brazil.
Lalla Essaydi: Les Femmes du MarocBy Stephanie Buhmann
In Les Femmes du Maroc, Lalla Essaydi revisits her past. She was born in Morocco and lived in Saudi Arabia for many years before moving to Boston, where she received her MFA from the School of the Museum of Fine Arts in 2003.
Art & Psyche: The Freudian LegacyBy Valery Oisteanu
This recent exhibit, curated by Dr. Lynn Gamwell at the CDS Gallery, was born of a book she edited several years ago called Dreams 1900-2000: Art, Science and the Unconscious Mind (Cornell University Press, 2000), commemorating the centennial of Sigmund Freud's The Interpretation of Dreams.
Edward Burtynsky: QuarriesBy Greg Lindquist
In Quarries, Edward Burtynskys most recent series of photographs, sites of marble and granite quarrying in Vermont, Italy, Portugal, China and Spain are documented in varying stages of activity.
Judith VivellBy John Reed
Where John James Audubon looked into the avian eyes of faraway migrations and lands unknown, Judith Vivell looks into the eyes of birds looking back.
Nyehaus becomes IndicaBy Nora Griffin
To find Nyehaus, an elegant project space elusively located on the eighth floor of the National Arts Club, is tantamount to time travel.
Robert Barry: NOT THE ART OF WAR, BUT ART AND WARBy Robert C. Morgan
Robert Barry is one of the most convincing conceptualists from the era of the late sixties and seventies. His word lists, wall and window pieces, his sound recordings, and DVD and slide projections, are focused on one central idea: language.
Performa 07By Ellen Pearlman
Rose Lee Goldberg the director of the visual art performance biennial Performa 07 deserves an honorary key to the City from Mayor Bloomberg as a high/middle/low/brow cheerleader for the arts.
Nancy Haynes: ThresholdBy Joan Waltemath
Hidden away on the third floor apartment on West 92nd Street, Leslie Heller presents various artists in the different rooms of an apartment. There's furniture to sit down on to look at the work, making the scene homey and allowing for an extended gaze.
Be Blank ConsortBy Warren Fry
For the first ten minutes of their reading, the Be Blank Consort sat in a circle near the stage hashing out the details of their performance, while casting glances over their shoulders at the audience as it trickled in.
Mating Minds: David Byrne and Evolutionary Psychologist Geoffrey Miller Ask Why Humans Make ArtBy Jed Lipinski
On October 10th, David Byrne of The Talking Heads and Geoffrey Miller, PhD, an evolutionary psychologist at the University of New Mexico, took part in a conversation at the Institute of Contemporary Art (ICA) in Boston titled, Connections between biology and culture, sex and beauty, genes and creativity.
Richard Prince and the American GirlBy Sharon L. Butler
I spent Black Friday in the city with my nuclear family. I wanted to see the Richard Prince show at the Guggenheim, but my eight-year-old daughter Lena was not keen on the idea.
Wade GuytonBy John Yau
Wade Guyton is the perfect artist for these nightmarish times. He makes black monochromes using a large format Epson printer; the paintings are printed on pre-primed linen.
David ReedBy John Yau
In a 1990 interview with Stephen Ellis, David Reed defined his position vis-a-vis the debate regarding the death of modernism and the ascendance of postmodernism: I dont want to be the last painter, and I dont want to be the first. I want to be part of a continuum.
Drawing Connections: Baselitz, Kelly, Penone, Rockburne and the Old MastersBy John Yau
Its no secret that writers begin as readers. Even a genius such as Mozart listened to his sister practicing on the piano before he began playing it himself, and shortly afterward, at the age of five, began composing.
Shiva Linga PaintingsBy Craig Olson
An insistently repeated image, as in advertising, creates a nullifying emptiness through the manufacture of desire. This is no new rag. However, remove commodification and mechanical reproduction from the equation, and we find ourselves caught in a limbo between want and need.
Cy TwomblyBy Ben La Rocco
Cy Twomblys stubbornly poetic painting is on display in en exhibition at Gagosian Gallery entitled A Scattering of Blossoms and Other Things.
Brooklyn DispatchesBy James Kalm
How far can it go before it pops? With a market bulging like an overinflated Macys Parade balloon on the verge of bursting, cultural soothsayers are scanning recent events, like the entrails of a sacrificial chicken, for clues to its future direction.
Anthony Caro: New Galvanized Steel SculpturesBy Hrag Vartanian
Few sculptors have the range of Brit maestro Sir Anthony Caro, and fewer artists can consistently create three-dimensional forms that feel original yet rooted firmly in the ideals of modern sculpture.
robbinschildsBy Litia Perta
My first real memory of Sonya Robbins and Layla Childs is from a wedding we all attended in the ranchlands of Petaluma. Guests gathered for lemonade in the shadow of the ranch house before hiking deeper into the hills for the ceremony.
Judith SupineBy Erin Lindholm
A bald, bearded guy wearing a womens mesh bathing suit and hot-pink spectacles showed up one day on a pair of blue steel doors on Crosby Street. By the mirth in his glance, his coy little grin, he knew the reactions he provoked and loved every minute of it.
Letter from LondonBy Andrew Bick
The Painting of Modern Life presents twenty-two artists whose work is preoccupied with the use of photography as a source.