Dance
A Fall Dance Preview
September:
dancenOw/NYC Festival, Sept. 4–10 at DTW, allows you to see 70-plus artists at varied points in their careers. This year, a new project honors David Parker and The Bang Group, nicholasleichterdance, Brian Brooks Moving Company, Young Dance Makers, and Gina Gibney Dance. Each night one of these artists is accompanied by short performances from 10 other artists.
Jennifer Nugent + Paul Matteson. Photo by Sue Rees.The Kitchen High Line Block Party takes over West 19th Street on Sept. 15. The block between 10th and 11th Avenues will become a family-friendly festival featuring dozens of artist-led activity booths, crafts, workshops, and live performances, including a performance by Hoofer’s House Tap Jam Session.
DancenOw / NYC Festival, Base Camp on Sept. 6; Photo by: Sarah SilverThe most anticipated dance event of the season, The New York Dance and Performance Awards, a.k.a. The Bessies, takes place on Sept. 17 this year hosted by Obie Award-winner Justin Bond and theater artist Taylor Mac.
Tere O’Connor Dance performs Rammed Earth at The Chocolate Factory in Long Island City as part of a co-presentation with Danspace Project, Sept. 26-30 and October 3-7. The new work highlights shifting layers of architectural reference in dance and invites the audience to move through the space, changing viewpoints during the performance.
Big Dance Theater presents their insightful and quirky The Other Here at DanceTheater Workshop, Sept 19–22, 25 –29. The new work layers the rural stories of Japanese novelist Masuji Ibuse with a life insurance sales conference, set to Okinawan pop music and reinventions of traditional dance.
Introduce yourself to new dance artists and visions through WAXworks, a non-curated, performance showcase at Triskelion Arts in Brooklyn. The series starts in September and will continue once monthly.
October:
It is always a pleasure to enter the visually stunning and complex world created on stage by the Donna Uchizono Company. Uchizono’s Thin Air will be revealed at DTW Oct 9–13 along with As eyes see it, a collaboration with her dancers.
PAMINA DEVI: A Cambodian Magic Flute will use the refined movement language of Cambodian classical dance and music to interpret Mozart’s opera. The work, by Sophiline Cheam Shapiro, will be performed by the Khmer Arts Ensemble from Phnom Penh at the Joyce Theater, Oct. 9–14.
John Hasperse Company performs at BAM. Photo by Alex EscalanteJohn Jasperse Company
will treat us to another innovative performance at BAM, Oct. 31–Nov.3. Misuse Liable to Prosecution is Jasperse’ newest creation which will explore the effects of capitalism on stage using dance and objects that are either found, borrowed or stolen.
November:
The dynamic group that make up the company
everything smaller present their new piece, The Map and The Machine at Dance New Amsterdam, Nov.29–Dec.2. This new work confronts survival in its simplest forms.
Hiroshi Koike directs and choreographs for Pappa Tarahumara, a Japanese dance-theater troupe in a visual spectacle, Ship In a View, performed at BAM, Nov. 28, 30 and Dec. 1.
December:
The athletic and imaginative pair, Nugent + Matteson Dance will premiere Pieced Apart, an evening of four new works at St. Mark’s Church, Dec. 6-8.
Hip-hop pioneers Rokafella and Kwikstep who together form Full Circle, will present
Innaviews at DTW Dec 19–22.
Also, keep your eyes open for updates from Brooklyn Arts Exchange, The Kitchen and Chez Bushwick as they roll out their fall dance schedules.
RECOMMENDED ARTICLES
Our Selves: Photographs by Women Artists from Helen Kornblum
By Ann C. CollinsSEPT 2022 | ArtSeen
Use of the photo image in reworking narratives lies at the heart of Our Selves, an exhibition at the Museum of Modern Art of ninety photographs made by women artists.
Singing in Unison:
Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy
JUNE 2022 | Art
Rail Curatorial Projects is proud to present Singing in Unison: Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy, a multi-venue series of exhibitions that aims to foster social unity in light of the recent political climate and the COVID-19 pandemic. The works shown in these exhibitions exemplify the breadth of the creative world, with artists who are taught and self-taught, young and old, and hailing from every corner of the globe. Singing in Unison is a timely endeavor that celebrates the power of art as a public site to stage programming, including poetry readings, music and dance performances, panel discussions on the subject of democracy, and cooking performances by Rirkrit Tiravanija. All of this is done with the aim of enhancing the art of joining in our various communities and to bring people together.
Lisa Slominski’s Nonconformers: A New History of Self-Taught Artists
By Jo Lawson-TancredJUNE 2022 | Art Books
Building on the history of “Outsider art” dating back to the 1970s, this book dives into the implications, limits, and paradoxes of the popular and problematic label. Placing the emphasis on the artists themselves and the formal properties of their work, the book foregrounds their practices over excessive biographic detail.
Cultivating Wildness: Supporting the Creativity of Artists
By Yayoi ShionoiriMAY 2022 | Critics Page
The artist is the star soloist of the performance, and any arts worker who works in an artist studio—whatever position they hold—must understand that the crux of their job is to give the artist an environment at center stage to be free and creative. There is a certain intangible origin of the imagination from which ideas emerge and crystallize into artistic production. Such a birthing process requires the artist to harness the possibility for expression, free of constraint or limitation, and, in doing so, perhaps tap into a pure, unadulterated version of themselves.
