Poetry
you were vast unto others -

Contributor
Jen BervinPoet and visual artist Jen Bervin is a fellow at The Camargo Foundation in Cassis, France.
RECOMMENDED ARTICLES

Mark di Suvero: Steel Like Paper
By Jessica HolmesJUNE 2023 | ArtSeen
Mark di Suvero: Steel Like Paper, now on view at the Nasher Sculpture Center in Dallas and organized by the museums Chief Curator Jed Morse, includes thirty sculptures in addition to a wide array of lesser known drawings and paintings. Across these bodies of work, which span from the late 1950s through the present, di Suveros much-lauded vitality and generosity of spirit pervades the show, bestowing the viewer with a lingering sense of joie de vivre that is sometimes hard to come by in an oft-antiseptic contemporary museum setting.

Walter De Maria: Boxes for Meaningless Work
By Amanda GluibizziMARCH 2023 | ArtSeen
Just as youre about to step into Walter De Maria: Boxes for Meaningless Work, you might notice a short, high-pitched sound underlying the other noises that occupy museum galleries. Its the chirping of crickets, and because it emanates from a speaker hung near the ceiling, it seems to envelop the vestibule, both placeable and unlocatable.
Mildred Thompson: Throughlines, Assemblages and Works on Paper from the 1960s to the 1990s
By Susan HarrisMARCH 2021 | ArtSeen
Mildred Thompson: Throughlines, Assemblages and Works on Paper from the 1960s to the 1990s cracks the veneer of the 20th century, modernist canon to highlight a little-known body of work by an African American abstract artist who, in spite of being overlooked and criticized for her race, gender, and style, remained resolute in her vision.
Brenda Goodman: Hop Skip JumpNew Work 2022
By Andrew L. SheaMARCH 2023 | ArtSeen
These paintings work not in the realm of intellect, but that of feeling. Goodmans is a formalism that is never escapist or hermetic, but instead tied to an encyclopedic spectrum of human emotions, including terror, despondency, anger, hope, joy, even love. As she prepares to enter her ninth decade, Goodman has once again come upon a new abstract language that, somehow, remains intimately in touch with those important realities.