By William Corwin
DEC 20-JAN 21 | ArtSeen
In this new body of workactually three different sets of paintings and etchingsJulie Mehretu is inscribing marks from a series of hands: her own, the fingerprints of digital interventions, and even the hand of the Almighty (at least by implication), on a series of roiled and undulating backgrounds.
By Hearne Pardee
MAY 2020 | ArtSeen
Originally intended for Frieze New York, the works went online due to current events, but one cant escape the sense that the digital format, while denying us the materiality so vital in Fishmans work, enhances our experience in other ways, enlarging the paintings scope as if to compensate for their physical absence.