Dance
Dance and the Urban Experience
By Emily LarocqueSurface differences aside, Brooklyn-based Beth Gill’s “wounded giant” and Tokyo-based Kakuya Ohashi’s “Wish You Were Here,” presented together recently at the Kitchen, have more in common than a spare aesthetic and a detached air. Even though, as curator Yasuko Yokoshi remarked, “Kakuya’s approach is more psychological and Beth’s is more about physical space,” both dances respond to the perils and nature of urban existence.
The Latin Vibe Trying on salsa’s swirling hips
By Kathryn EnrightIt is all in the music. If you just listen to the music, your body will follow. Don’t be concerned with flashy steps, just start to feel the rhythm, listen to what your body has to say.It is all in the music. If you just listen to the music, your body will follow.
Ann Liv Young’s "Michael" Review
By Krista MirandaAnn Liv Young’s “Michael” is an interdisciplinary exploration of the hyper-real, which defies categorization as anything other than “performance art.” By juxtaposing the natural and theatrical, the private and public, the mundane and the over-the-top, Young complicates the relationship between audience and performer, obscuring the boundaries between the two, thereby questioning the limits between “life” and “art.” Executed in a fast-paced, feverish state of excitement, “Michael” is a veritable forty-five minute abduction that leaves the audience breathless, dazed, disoriented, at least a little bit uncomfortable, and, to be honest, in desperate need of a shower.
