Local
New Skool Slam
In a shift from the past series of neighborhood-based reportage, students from the spring session of The Brooklyn Rail/Urban Word NYC New Skool Journalism Workshop covered the city’s annual Teen Poetry Slam championships. Over several months the teens explored their own subject matter and their voices as reporters without limiting themselves to what might be considered the parameters of traditional journalism. Special thanks to Poets & Writers—for without its support, this ongoing collaboration between Urban Word and The Brooklyn Rail would not be possible.
—Knox Robinson and Meghan McDermott, editors
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72. (Various walls around the city)
By Raphael RubinsteinOCT 2021 | The Miraculous
One day in 1986, more than a dozen years after Shirley Chisholm, Barbara Jordan, Yvonne Brathwaite Burke and Cardiss Collins have been elected to Congress, a group of artists, activists and art historians who keep their identities secret by donning gorilla masks surreptitiously plaster the walls of the city with a poster noting, in thick sans serif type: “Only 4 Commercial Galleries in N.Y. Show Black Women. Only 1 Shows More Than 1.”
My Beautiful City
By Thomas HeiseMARCH 2021 | Field Notes
In the spring of 2020, as the plague was sweeping the city, I found myself several times a day staring at an Instagram page dedicated to the furniture and household goods New Yorkers were tossing to the curb. Amongst the flotsam and jetsam were steamer trunks, benches of reclaimed lumber, numerous upright pianos, boxes upon boxes of books, a fainting couch with flower upholstery, glass vanities, bar stools, two Noguchi coffee tables, stand-up globes (I counted at least three) that hatched open at the meridian so you could store liquor inside, seemingly every fiddle leaf fig tree in the five boroughs, and other bric-a-brac and impedimenta and whatever else could be quickly discarded in a desperate effort to get out of New York as fast as possible.
Motor City Underground: Leni Sinclair Photographs 1963–1978
By Nolan KellySEPT 2021 | Art Books
Unlike so many other exhibition monographs—which are often treated as something between a program guide and show souvenir—Motor City Underground presents detailed reproductions of Sinclair’s photographs, often blown up to full-page, alongside a wide variety of testimony. The range of dates and sources across which these statements are culled suggests years of research combing through a decade’s worth of underground missives—the type of ephemera that does not often make it into digital archives.
Hiromi Kawakami’s People From My Neighborhood and Sequoia Nagamatsu's How High We Go in the Dark
By Yvonne C. GarrettDEC 21-JAN 22 | Books
Each of these books presents a master class in craft while also providing a perfectly honed narrative that draws the reader in and won’t let go.
