Los Angeles Plays ItselfBy Michael Joshua Rowin
Recently watching the mindless masterpiece Speedin which, famously, a bus must stay above 55 miles an hour or else get blown up by a deranged Dennis HopperI became fascinated with how its creators perfectly situated the action in Los Angeles, with its labyrinthine freeways floating almost detached from the city center.
Ken Jacobs-Star Spangled to DeathBy Jonas Mekas
Organic, living organism that grew and grew over the period of 47 years.
Two Lone Swordsmen: Hero by Zhang Yi Mou and Zatoichi by Takeshi "Beat" KitanoBy David N. Meyer
"Always leave em wanting less," Warhol famously said, and American epic filmmakers have taken his words to heart. What the later editions of The Matrix or Troyor the bloated 2 1/2 hour $10.25 nightmare of your choicelack in ideas, drama, or emotional credibility, they make up for in sheer waste of time.
In the Belly of the BeastBy Saul Austerlitz
Making a feature film about corporations is a bit like trying to cram the entire history of the United States on the back of an index card. After all, the corporation is a phenomenon that has existed for well over 100 years, and its tentacles extend into every aspect of modern life the world over.
Docs In Sight
Can Archival Footage Change the World?By Williams Cole
Anyone who has seen the record-breaking political documentary Fahrenheit 9/11 knows that much of the rhetorical punch of the film comes from all the footage of W. & Co. that Michael Moore’s production team collected.