Poetry
The Ashes
for William Gass
This elderly poet, unpublished for five decades,
Said that one day in her village a young girl
Came screaming down the road,
“The red Guards are coming! The Red Guards
Are Coming!” At once the poet
Ran into her house and stuffed the manuscript
Of her poems into the stove. The only copy.
When the guards arrived they took her into the yard
For interrogation. As they spoke
The poet’s mother tried to hang herself in the kitchen.
That’s all I know about the Red Guard.
It is enough.
The elderly poet is bitter—and why not?
She earned her PH.D. at an Ivy League school
And returned to China in 1948. Bad timing.
She is bitter with me
Because I’ve chosen to transtrate a younger poet,
Young enough to be her child or mine.
The truth is, her poems are forced,
But not flowering. The good work died in the stove.
She knows this. She wants me to recompose them
From the ashes. She wants the noose
Around her mother’s neck untied by me.
She wants—oh, she wants!—to have her whole life over:
Not to leave America in 1948;
To know me when we are both young promising poets.
Her rusty English is now flawless,
My Mandarin, so long unused, is fluent.
No dictionaries needed. A perfect confidence
Flowing between us. And the Red Guard,
Except as the red sword-lilies
That invigalate the garden,
Unimagined by us both:
I, who believe the Reds are agrarian reformers,
She, who believes she will be an honored poet,
Her name known to everyone, safe in her fame.
From Carolyn Kizer Cool, Calm & Collected: Poems 1960-2000 (Copper Canyon Press, 2001) with permission of the author
Contributor
Carolyn Kizer
RECOMMENDED ARTICLES
from Fresh Pond Road
By Ama BirchSEPT 2023 | Poetry
Ama Birch is releasing a spoken word album called Fresh Pond Road on September 21, 2023.

Angela China: Girl on the Grass
By Jessica HolmesMAY 2023 | ArtSeen
As frosty air and bleak clouds give way to warmth and color the sense of renewal inherent to blooming tulips and budding leaves becomes palpable. And so it is witnessing the debut exhibition of a young artist full of promisehope also blossoms. Girl on the Grass, a solo show of ten paintings by New York-based artist Angela China arouses a similar, buoyant expectation.
Emmanuel Louisnord Desir: Ashes of Zion
By Andrew Paul WoolbrightJUNE 2023 | ArtSeen
In Emmanuel Louisnord Desirs Ashes of Zion, painting and sculpture employ a skeuomorphic glitching of material to address biblical stories and collective histories. The work is remarkably attuned to the American vernacular, but the energy of it builds out of the artists ability to produce softness in the material resistance of wood. Desir gives us an allegorical metanarrative that begins with the garden and ends with the fall of Babylon.
Panah Panahi’s Hit the Road
By Kally PatzJUL-AUG 2022 | Film
Its a specific road theyre traveling, strange and precarious. But with the playful mood in the carthe familys gags and eccentric bitsit often feels like a road anyone could ride. In Hit The Road (2021), Panah Panahi has created a road trip movie about immigration, a tragedy that bounces along with the jubilance of a Hollywood blockbuster.